年轻帅气的“技术者”志赫（金宇彬 饰），神笔被誉为是窃盗界的最强头脑，神笔任何金库都难不倒他，还能伪造一切资料，制订滴水不漏的盗窃计划。他联手“掌控者”人力调配专家久仁（高昌锡 饰），以及“隐形者”超强黑客宗裴（李玹雨 饰），3人每一个都是行业内最顶级的高手，他们曾在3分钟之内，轻松在警察眼皮底下偷走价值30亿的珠宝，并在盗窃界一夜成名。耳闻三人实力的黑手党赵社长（金英哲 饰），决定网罗他们，希望他们加入最高难度的偷窃任务──40分钟内，在全亚洲安保级别最高的仁川海关盗取1500亿现金的赃款。究竟这三位实力高超的“技术者”、“掌控者”和“隐形者”，能否成功达成任务？还是将失败落入法网？而志赫和赵社长之间的心机角力，又将会是谁胜谁负？
徐哲纬
回复 :四名女学生沈迷于银仙游戏，可是在玩毕后，邪门之事接踵而来。其中阿May与晴相约打机，阿May玩跳舞机时突然不能自制，被神秘力量令她跳至脚肿才能停止，后来更在半梦半醒之间似觉被污辱多次。晴则在来机铺认识一男子，两人感情发展顺利，而晴问银仙有关她与男子的事，银仙均表示赞同。正当二人同往探望病愈的阿May 时，阿May见该男子后即表现得非常惊恐，而该男子亦终于展露出狰狞面孔……
苏永康
回复 :平凡不过的邻区街道上，一台再正常不过的四轮驱动房车，一个男人轻松地撬开门锁而入，大肆搜刮了车内任何值钱的东西，当他打算满载而出时，突然发现整台车的车门全都反锁死，且用尽力气也无法敲破车窗，身经百战的他，此刻却深陷牢不可攻的密室里，然而这时，车内通话突然响起，「你好，欢迎上车…」男子这才发现自己掉入了车主所设下的陷阱，他要如何全身而退呢？《4x4危机四伏》是一部全新形态的惊悚冒险悬疑电影，电影不只在票房上有亮眼的成绩，吸睛的题材甚至引起各国争相购买此片翻拍权利，甚至连《进击的鼓手》制作人在看完后，都表达对这部片拍成美版有高度的兴趣。而它也不仅仅是一部娱乐片，导演透过影片传达关于群众暴力、人性的执着与贪婪，都是期待开启观众对话的钥匙，希望能够影响并感染到整个年轻世代。
陈诗雨
回复 :Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.
