剧情简介
《谍海群英会》是一部电影，瞑目影片以第二次世界大战为背景，瞑目讲述了一个孤胆英雄英国间谍奎勒只身和德国纳粹残余斗争的勇闯虎穴、智斗群魔式的故事，主人公具有007的个人英雄主义，情节惊险、悬疑、趣味十足，是间谍片里的经典之作。曾荣获英国电影学院奖最佳影片、最佳编剧、最佳男主角、最佳摄影、最佳服装等多项提名。
死不瞑目
《谍海群英会》是一部电影，瞑目影片以第二次世界大战为背景，瞑目讲述了一个孤胆英雄英国间谍奎勒只身和德国纳粹残余斗争的勇闯虎穴、智斗群魔式的故事，主人公具有007的个人英雄主义，情节惊险、悬疑、趣味十足，是间谍片里的经典之作。曾荣获英国电影学院奖最佳影片、最佳编剧、最佳男主角、最佳摄影、最佳服装等多项提名。
殷悦
回复 :三个美国青年组成“旅欧探险队”来到艺术之都巴黎。到达当晚他们就开始按计划冒险：在艾菲尔塔上来一个蹦极跳。就在准备就绪马上要开跳时，三人中的安迪突然看到一个女孩从他不远处跳下去。当他意识到她是在寻短见时，毫不犹豫跳下去，凌空救起了那个女孩 。不幸的是，他的头也撞在铁板上，失去了知觉。安迪在医院中醒来，尽管同伴还在笑他没女人缘，但他发现自己已对那女孩有了情思一束。仅凭那女孩在现场掉落的一张纸条，他们开始寻找。又有谁知道，在这月圆之夜，一件又一件可怕的事情就要降临到他们头上。
李允宰
回复 :北京服装学院大三学生王韵婷，被家人强迫学习模特表演。但她对模特不感兴趣，而是想出国学习外国文学。这年她被概念玖芭公司模特经纪人丁盛磊在学校发现。原来二人是老乡，丁曾经在他们的家乡小镇与王韵婷有过一拍之缘，丁盛磊惊喜遇见了旧识女神，并劝王韵婷赶紧签约做模特，却遭王拒。王告知其志向并不在此，只是为了应付家人混个学历的理由后，丁表示无奈却只能理解，给王韵婷留了名片联系方式，规劝王韵婷不要浪费自己的优秀条件，希望能在接到王回心转意的电话，后离开了，回到公司的丁翻出旧年珍藏照片并贴在在自己办公室桌上。磊暗暗觉得这个女孩特别有意思。不久著名设计师薇薇新品发布会即将在北京饭店举办，并到概念模特经纪部挑选模特人选，唯独一套特殊气质服装的模特人选迟迟定不下来，一筹莫展时发现了办公桌上的这张照片，便有意指定此模特就是理想人选的形象，磊欣喜，发现自己的眼光果然没错，于是便再次邀约王韵婷前来公司面试，王接到电话时得知自己连一套完整的模特卡都没做的情况下，就被设计师相中的消息感到意外，拿起丁的名片仔细端详，上网查询才得知原来丁盛磊所在的公司正是概念久芭，而丁这边接二连三的电话让本身就对这家传奇公司感兴趣的王韵婷心动了，概念客户要求服务至上的理念，也趋使着丁盛磊三顾茅庐对王韵婷软磨硬泡，终于让王韵婷心软，答应帮忙。
陈明真
回复 :The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.com
