剧情简介
本片讲述了以小昭为首的木兰特工队，乐翻揭穿了恐怖组织藏宝图背后的秘密，乐翻阻止了一场核战的发生，维护了人民的安全。本片将坚强勇敢的女英雄人物形象刻画到位，生动地展现了新世纪女性意识觉醒后的盎然生机。影片人物形象立体而生动，女性角色一反传统职业女性形象，她们身怀绝技、敢为人先、正直善良、勇敢坚韧、团结一心、将家国责任视为自身使命，是新世纪的女中豪杰，弘扬了新世纪女性忠诚坚定、顽强不屈、巾帼不让须眉的木兰精神
百家乐翻天
本片讲述了以小昭为首的木兰特工队，乐翻揭穿了恐怖组织藏宝图背后的秘密，乐翻阻止了一场核战的发生，维护了人民的安全。本片将坚强勇敢的女英雄人物形象刻画到位，生动地展现了新世纪女性意识觉醒后的盎然生机。影片人物形象立体而生动，女性角色一反传统职业女性形象，她们身怀绝技、敢为人先、正直善良、勇敢坚韧、团结一心、将家国责任视为自身使命，是新世纪的女中豪杰，弘扬了新世纪女性忠诚坚定、顽强不屈、巾帼不让须眉的木兰精神
王蓝茵
回复 :有一个受聘于美国政府的机密组织，成员包括领军人物克莱（杰弗里·迪恩·摩根 Jeffrey Dean Morgan 饰）、玩世不恭的简森（克里斯·埃文斯 Chris Evans 饰）、武器专家罗克（伊德瑞斯·艾尔巴 Idris Elba 饰）以及普奇（哥伦布·绍特Columbus Short 饰）、酷格（奥斯卡·贾恩那达 Óscar Jaenada 饰）等人。他们在玻利维亚执行任务时，因内鬼麦克斯（杰森·帕特里克 Jason Patric 饰）的出卖，让每个人的生命都笼罩在死亡威胁里。克莱将计就计，伪造了大家的死亡，改名“失败者”秘密潜回美国。此时，一位叫做爱莎（佐伊·索尔达娜 Zoe Saldana 饰）的神秘女郎也加入失败者组织，与克莱一行人开始复仇。克莱一行人能否顺利的抓出内鬼，重新找回尊严呢？关键之处的秘密，其实全系于功夫高强的爱莎一身……
纪利
回复 :本片拍摄耗时94天，而男主角柯林·法瑞尔在拍摄期间曾经摔断手臂和摔伤脚踝。影片讲述了Alexander（柯林·法瑞尔 Colin Farrell 饰）年轻时的梦想、荣耀与冒险生活，他征服世界后的孤独生活以及神秘的死亡。他与将军Hephaistion（杰瑞德·莱托 Jared Leto 饰）不寻常的关系也得意展现。Alexander的母亲（安吉丽娜·朱莉 Angelina Jolie 饰）也在他的生命中起到不同凡响的影响力。亚历山大自幼聪颖过人，曾受教于亚利斯多德，稍长即被授予首府总督之职，并以平定山贼有功而任命为马其顿大军统帅，随父横扫希腊城邦之乱。融合东西文化，鼓励民族间通婚，并倡导民族间地位平等，讲希腊思想律法散布各地，开创希腊化时代文化，死时却年仅33岁。
成诗京
回复 :Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
