群山拥抱之处，社孟灵气浩然，社孟蛇王苦苦修行以期成形，同类蛇妖阴气凝重，蛇王修行化身成美女，四出采阳补阴，以壮法力。金老板五世奇人之身，凝聚无限纯阳之气，蛇妖纷纷化身成美人争相吸取金老板之阳刚之气。蛇妖一众破坏安事，村民恭请白龙王出山对付蛇王，铲除妖孽。蛇王为对抗白龙王、古师传等人之法力，明知故犯以己之肉身与女交欢以增法力，犯下天条，蛇王为保性命躲入蛇洞避过白龙王等人之收服。蛇王在蛇洞修炼，得知金老板开设之酒家伤其族类无数，设置蛇宴营生获利甚丰。蛇王借助村女珊瑚之肉身，欲向村民劝诫勿滥杀蛇类，此事为金老板等人获悉，又再相邀白龙王出山，经历修行之蛇王与白龙王展开一场恶斗。
唐雅明
回复 :The story of a platoon during the Korean War. One by one Corporal Denno's superiors are killed until it comes to the point where he must try to take command responsiblity.
雪村
回复 :"The Witch Burnt Alive"After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous."Community Spirit"Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through."The Earth Seen from the Moon"The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific."The Sicilian"Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories."A Night Like Any Other"Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.
郑中基
回复 :不知曾几何时，世界上发生了前所未有的灾难。雷（亚历山大·斯卡斯加德 Alexander Skarsgård 饰）带着妻子克莱尔（安德丽亚·瑞斯波罗格 Andrea Riseborough 饰）以及年仅七岁的女儿佐伊（艾米丽·阿琳·林德 Emily Alyn Lind 饰）千辛万苦找到一个避难场所，那里有着充足的食物和能源，简直是可遇不可求的福地。三口人从此躲在地下，时间长达301天，正如雷所说，他们可能是地球上唯一的幸存者。“呼吸怪”是被禁止提及的词汇，它仿佛随时可能出现的恶魔，将一家人的避难所崔毁于一旦。然而不稳定的情绪时刻在三口人之间蔓延，意外状况接二连三出现。在这个隔绝的窒息场所，他们有着永世无法回避的可怕宿命……
