Man到不行的特警亚隆相信纪律,日韩相信个人得为团体牺牲;他与队友们兄弟情深,日韩却面临出状况时得找个替死鬼扛责任的尴尬局面。富家女希拉加入左派团体、朗读口号,相信为了理想,必须压抑小情小爱。当看似毫无关连的两人命运交会时,他们对各自的立场,是否仍如此肯定?
Man到不行的特警亚隆相信纪律,日韩相信个人得为团体牺牲;他与队友们兄弟情深,日韩却面临出状况时得找个替死鬼扛责任的尴尬局面。富家女希拉加入左派团体、朗读口号,相信为了理想,必须压抑小情小爱。当看似毫无关连的两人命运交会时,他们对各自的立场,是否仍如此肯定?
回复 :在不久后的2005年,一种名为“轮滑球”(Rollerball)的新兴竞技运动以其超乎寻常的惊险、刺激吸引了大众的注意力,成为一大体育娱乐热点。每当赛季到来时,数以万计狂热的观众都会疯狂地为自己支持的队伍下注,然后守在电视前观看紧张的现场转播。然而,在这项运动的背后,却隐藏着黑暗残酷的内幕。轮滑球融合了冰球和马球两种运动项目的特点,以个人技巧和团体协作为基础,比赛规则宽松,具有很强的对抗性。而且在该运动中,摩托车也是比赛器械之一,赛手可以驾驶摩托车做出任何动作,甚至允许一名赛手骑摩托从对方赛手身上碾过,这使轮滑球运动不仅仅限于“惊险”、“刺激 ”的范畴,而是越发显得暴力、野蛮了——球场上,可能随时会有球员在对抗中丧命。因此,国际体育团体严格限制这项运动的开展,使它成为只局限在土耳其、哈萨克斯坦等地的半底下运动,但这种局限并不能约束这项运动的残酷性向更可怕的及至发展。亚利希·帕托威克(让·雷诺)是一名俄国大财阀,他不仅拥有一支自己的轮滑球队——骑士队,而且还收购了整个轮滑球运动的组织权。为了使这项运动给他带来丰厚的利润,野心勃勃的帕托威克对比赛规则和组织形式做了一系列的改革,使得轮滑球比赛酷似古罗马的角斗,变得更加残酷、血腥,从而越发具有吸引力和“观赏性”;同时,在帕托威克的经营下,轮滑球运动的规模也在不断扩大,各国的职业球队和球员越来越多地加入联盟中,整个比赛的水平也越来越高。在联盟的众多队伍里,帕托威克的骑士队是一支技术高超、所向披靡、神话似的的队伍。在队长乔纳森·克罗斯(克里斯·克莱恩)和灵魂球员马库斯·瑞德里(LL Cool J)、奥罗拉(瑞贝卡·罗米吉-斯塔摩斯)的努力下,骑士队在联盟赛中取得了无可匹敌的积分,赢得了众多球迷的追随。但这一切却不能令球队老板欣喜若狂,因为他所在乎的只是球队能否晋级、能否给他带来滚滚财源——为了达到这个目的,他可以付出一切代价,包括球员的性命。目睹赛场上接连不断的悲剧和帕托威克的冷酷无情,克罗斯和队友们渐渐觉得良心不安。也许,他们应该做些什么来揭露这项野蛮运动背后的罪恶——尽管这将给他们带来杀身之祸……
回复 :传说中白鹿庇佑的白鹿原上,世代居住着同根家族白、鹿两姓子孙。时代变迁,清朝覆灭,民国建立。现任族长白嘉轩(张丰毅 饰)之子白孝文(成泰燊 饰)、乡约鹿子霖(吴刚 饰)之子鹿兆鹏(郭涛 饰)与白家长工鹿三之子黑娃(段奕宏 饰)情同手足,成年后各赴前程。黑娃与渭北郭举人家的小女人田小娥(张雨绮 饰)私通败露,田小娥亦被族长拒于祠堂之外,两人遂迁至慢坡窑洞内度日。加入共产党的鹿兆鹏从城里带回革命浪潮,黑娃成为中坚力量,国共分裂后兄弟俩被迫逃亡。鹿子霖乘机霸占独自留守的田小娥,并设计利用她陷害下任族长白孝文,引发族内轩然大波……风云变幻的时局下,素有“仁义”之名的白鹿村内纷争不断,古老的土地面临着翻天覆地的变化。本片改编自陈忠实先生第四届茅盾文学奖作品《白鹿原》。原著时间跨度长达半个世纪,影片截取其中1912年到1938年间的动荡变迁,原生态的秦腔演绎与苍茫的麦田取景令人沉醉。
回复 :Frank Lloyd Wright is America's greatest-ever architect. However, few people know about the Welsh roots that shaped his life and world-famous buildings. Now, leading Welsh architect Jonathan Adams sets off across America to explore Frank Lloyd Wright's masterpieces for himself. Along the way, he uncovers the tempestuous life story of the man behind them and the significance of his radical family background.In a career spanning seven decades, Frank Lloyd Wright built over 500 buildings, and changed the face of modern architecture: Fallingwater, the house over the waterfall, has been called the greatest house of the 20th century; the spiralling Guggenheim Museum in New York reinvented the art museum; the concrete Unity Temple was the first truly modern building in the world. But the underlying philosophy that links all Wright's buildings is as important as anything he built.Those ideas were rooted in the Unitarian religion of Frank Lloyd Wright's mother. Anna Lloyd Jones was born and raised near Llandysul in west Wales and migrated to America with her family in 1844, most likely to escape religious persecution. Her son, Frank, was raised in a Unitarian community in Wisconsin, a small piece of Wales in America. The values he absorbed there were based on the sanctity of nature, the importance of hard work, and the need to question convention and defy it where necessary. Wright's architecture was shaped by, and expressed, these beliefs.Frank Lloyd Wright set out to create a new American architecture for a new country. He built his own lifelong home in the valley he was raised in, and he named it after an ancient Welsh bard called Taliesin. It was the scene of many adventures - and a horrific crime. In 1914, a servant at Taliesin ran amok and killed seven people including Wright's partner, Mamah Cheney, and her two young children.Wright rebuilt his home and went on to marry a Montenegrin woman, Olgivanna Milanoff, some 30 years younger than him. It was Olgivanna who struck upon the idea that saved Wright's career after the Wall Street Crash and personal scandal laid it low. She decided that her husband should take on apprentices and that the apprentices should pay for the privilege. The Taliesin Fellowship had a hands-on approach, with apprentices often building extensions to Wright's own houses, labouring and cooking for him. Somehow it worked, lasting for decades and nurturing hundreds of young talents.Frank Lloyd Wright died in 1959 aged 91 while working on his final masterpiece, New York's incomparable Guggenheim Museum. He had been born in the wake of the American civil war, the son of a pioneer, and died a television celebrity, in the space age. He is buried in the shadow of Taliesin, alongside his Welsh ancestors.A 150 years after his birth, Jonathan Adams argues that Frank Lloyd Wright is now a vitally important figure who can teach us how to build for a better world. Wright believed in what he called organic architecture; buildings that grace the landscape, express an idea of how to live and respond to individual needs. This bespoke approach - a philosophy, not a style - puts him at the heart of modern architectural thinking.