本片翻拍自1980年苏联同名经典影片。极富正义感的飞行员古辛（丹尼拉·科兹洛夫斯基 Danila Kozlovsky 饰），网红因违抗上级命令而被军队开除，网红成为民航机组的实习飞行员，并结识了精神导师津琴科（弗拉基米尔·马什科夫 Vladimir Mashkov 饰）和恋人亚历珊德拉（阿格尼·格鲁迪特 Agn? Grudyt? 饰）。然而，在一次飞行中，突遇的火山爆发、恶劣的天气状况让机上的一切都失去了控制，机上所有成员命悬一线……
周冠宇
回复 :Golden Bear for Best Short Film (win) - - 2004 Berlin International Film Festival
秦沛
回复 :东东（梅艳芳 饰）与心靖（杨紫琼 饰）年幼时得到武林高手的收养，传授她们武功望她们能长大后行侠仗义。同是孤儿的两人情同姐妹。不料心靖在12岁时被抓走，从此失去音信。东东长大后下嫁了警官刘启文（刘松仁 饰），生下女儿后当上了贤妻良母。多年来她一直向家人隐瞒自己的身份，但 夫妻俩之间却因为这样变得疏远。当年心靖被清朝宦官陈公公抓走，用毒液洗去了她记忆后利用她的好身手干着坏事。陈七（张曼玉 饰）也是公公的手下，生性不羁，她中毒并不深，记忆不久便恢复了。她跟东东一般富有正义感但视钱如命。三人在一次偷取婴儿的争斗中相遇了，但心中的正义感令她们本来对立的角色演变成一直的方向，对付危害大众生命的女勇士。
朱凌凌
回复 :Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
