剧情简介
凯蒂(露西·海尔饰)有个梦想是录制自己的歌曲集，摔角遭到恶毒的后妈盖尔(蜜西·派尔饰)和盖尔的女儿贝芙(梅根·帕克饰主)的百般阻挠。凯蒂在艺术学校遇到路克，摔角想让他听听自己的歌，但盖儿却另有打算。路克中计错把贝芙当成凯蒂。凯蒂必须在学校的才艺表演大会上赢回自己喜欢的男生并得到录音合同。
摔角王
凯蒂(露西·海尔饰)有个梦想是录制自己的歌曲集，摔角遭到恶毒的后妈盖尔(蜜西·派尔饰)和盖尔的女儿贝芙(梅根·帕克饰主)的百般阻挠。凯蒂在艺术学校遇到路克，摔角想让他听听自己的歌，但盖儿却另有打算。路克中计错把贝芙当成凯蒂。凯蒂必须在学校的才艺表演大会上赢回自己喜欢的男生并得到录音合同。
彭健新
回复 :本片是改编自原著作者Jean Hegland 的同名小说，故事描述一对姊妹在不久的未来中，因面对各种分崩离析的社会问题，一同努力求生存的另类末日题材。
圣女合唱团
回复 :和妈妈两个人生活的玉熙有一天放学回家后发现爸爸的朋友画廊叔叔住进了自己家的跨院，要在自己家里寄宿。叔叔和玉熙的关系发展的很快，甚至一起去家后面的山上爬山玩。直到有一天玉熙从幼儿园里带回来一束花给了妈妈，谎称是画廊叔叔让她转交的，从此以后妈妈和画廊叔叔开始互相牵挂、互有好感，可是惧于严厉奶奶的目光，两人的关系被无情的斩断了。有一天画廊叔叔给了玉熙一个漂亮的娃娃然后收拾起行囊远走他乡了。
李泽坚
回复 :与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
