最后的绞刑师
地区:台湾
  类型:神话
  时间:2025-04-04 10:18:48
剧情简介

洪兴大飞(黄秋生 饰)手下没牙佬的女儿阿May和东星大咪的手下皇帝(黎骏 饰)相恋,最后两个大佬为此坐下谈判。大飞嚣张气焰令皇帝的小弟善仔等人颇为不满,最后他们次日大闹大飞的桑拿馆,结果反被对方修理一通。某日,大飞看望罹患癌症不久于人世的前女友阿玲,继而得之自己有一个17岁的儿子,而儿子正是善仔。虽然亲子鉴定显示了他们的父子关系,但大飞和善仔均无法接受这个事实。东星社计划和云南毒贩做毒品生意,皇帝亲自操办此事。他委派善仔等人亲自前行,却暗中吞掉毒品,嫁祸大飞。在兄弟情义和父子亲情面前,善仔面临着充满艰险的抉择……

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明星主演
常海
安七炫
道元京
最新评论(673+)

许嘉凌

发表于6分钟前

回复 :年轻女孩真理(菊池亚希子饰)乘坐渡轮回到了阔别已久的故乡——西伊豆某小镇,她偶然邂逅前男友阿治(小林ユウキチ饰),两人自然地打着招呼,随后徜徉在萧条清冷的小镇街道上,真理向对方讲述着她回来的理由:“因为喜欢这里的风景,所以不知不觉就回来了,我打算在海边某个地方开个刨冰铺。”\r阿治对此感到诧异,因为真理毕竟是一个小有成就的舞台美术工作者。但是女孩似乎已下定决心,什么也无法让她动摇。说干就干,真理很快找好了刨冰铺的地点,并且亲自刷油漆、选购家具、忙活装修。\r某天,一位不速之客突然到来。对方名叫小初(三根梓饰),是真理妈妈(天衣织女饰)大学好友的女儿。小初脸上有着明显的烧伤,此时相依为命的祖母刚刚去世,她的内心满是疮痍。第二天早上,真理注意到小初站在厨房泡咖啡,结果小初突然哭了起来。真理意识到对方内心的痛苦,于是用言语予以鼓励,并希望对方能和她一起准备开张事宜。\r次日,真理的刨冰铺终于开张了,虽然可以点的只有简单的几样小吃,但她们的真诚赢得了顾客的好评。童年的味道终于回来了,真理似乎如愿以偿,不过她的故事才刚刚开始……


彭健新

发表于4分钟前

回复 :三桥贵志以转校为契机,决定在新学校“嚣张”一把,从此做个不良少年。为了能在同学中获得存在感,他还特地去发廊弄了一头金色卷发。而和他转到同一所学校的伊藤也有同样的想法。在开学第一天,伊藤和三桥就发现了彼此的秘密,也因此结成盟友。三桥的信条是“无论用多么卑鄙的手段,只要能赢就行”,所以,在和别人打架的时候只要能玩阴的就绝对不正面对抗,但他真正的实力也不容小觑。伊藤为人处世相对正经,有时候甚至会慢半拍,也因此常常被三桥利用且被蒙在鼓里,而在打架方面,他战斗力超群,有着不服输的信念。两个人一起挑战校内校外的不良少年,引发了一连串爆笑事件。


酷绘乐团

发表于9分钟前

回复 :SynopsisDo-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.Notes"A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea."A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as "a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation." Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.Afterword:- Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.


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