田原俊彦
发表于2分钟前
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:This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.comments from imdb:This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.15 out of 10 and then some. 10/10Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks".Intelligent, emotional, tragic and real, this is an absolute gem. 9/10
刘雅咏
发表于6分钟前
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:在回家的途中,一位商人(瓦克拉·沃斯卡 Václav Voska 饰)遭遇了罕见的暴风雪,昏天黑地之中,商人误打误撞来到了一幢豪华神秘的城堡前。商人在城堡中受到了贵宾般的优厚待遇,但直到最后,商人仍然不知道城堡的主人究竟是谁。暴风雪停歇了,商人准备离开,临走之前,他决定在花园中摘一朵玫瑰送给自己最喜爱的小女儿贝儿(兹德娜·斯图登科娃 Zdena Studenková 饰),而令他没有想到的是,长相狰狞的野兽(Vlastimil Harapes 饰)出现在了他的面前向他索命。商人失魂落魄的回到了家,将自己的遭遇告诉了六个儿女,爱父心切的贝儿决定代替父亲,只身来到了城堡。然而,等待着贝儿的却并非死亡,而是更加盛情的款待,野兽对她唯一的要求,就是不要离开城堡半步。贝儿并不惧怕野兽,随着时间的推移,两人之间的关系越来越近。
师洋
发表于7分钟前
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:纽约港的码头上,以约翰尼为首的黑社会势力无情地压迫着码头工人们。曾经是拳击手的特里(马龙·白兰度 Marlon Brando 饰)来到码头为约翰尼工作。他的朋友乔伊因为向犯罪委员会揭发约翰尼等人的罪行,被其手下,也是特里的哥哥查理从楼顶上推下摔死。乔伊的妹妹伊迪(爱娃·玛丽·森特 Eva Marie Saint 饰)发誓要为哥哥复仇,与教区牧师巴里神父一起展开调查。知情人都不敢出面告发。特里也目睹了乔伊被害的经过,虽然同情伊迪的遭遇,想要帮她逃离黑社会的迫害,但他没有告发哥哥的罪行。在与伊迪的接触中,两人渐渐产生感情。当伊迪得知他是杀害哥哥的帮凶,她拒绝了他。之后哥哥也为了救特里而被约翰尼杀害。无数罪恶的事件让特里决心去揭发约翰尼的罪行。在码头上他被约翰尼的手下打成重伤,神父和伊迪赶来支持他,一直沉默的码头工人们也觉醒了,他们团结在一起,为了正义抗争。本片获第27届奥斯卡最佳影片、最佳导演、最佳故事剧本、最佳男主角等8项大奖。