蔡惠羽
发表于6分钟前
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:蜥蜴人老板卢舍的女神大明星吴雨欣来到末栈,伊一看见了吴雨欣头上的弹幕。晚上吴雨欣的哭声吵醒了伊一,伊一来看她,她把伊一带进屋子里脱光了衣服,伊一发现此时吴雨欣头上的弹幕消失了。原来吴雨欣以前为了出名,喝了双胞胎给的汽水,从此后自己的生活被直播,头上出现了弹幕,只有自己脱光了,弹幕才会消失。科学怪人太乙爱上了一个叫颖儿的重金求子的少妇,还给她汇了许多钱。太乙不相信这是个骗局,为了见颖儿一面,太乙带着钱来见颖儿,颖儿却带着钱失踪了。卢舍在钱里放了定位,太乙根据定位找到了农民工男颖儿,太乙用自己的科学让颖儿真的怀了孕。吴雨欣受不了键盘侠的侮辱,反击了骂她的人,她头上的弹幕化成了黑水,将吴雨欣淹没在了浴缸里。
林佑威
发表于8分钟前
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:PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string, being a real malicious bastard, and for the umpteenth time in his career, playing two roles in a one film.http://www.dvddrive-in.com/reviews/n-s/panicbeats8283.htm