温力铭
发表于1分钟前
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:The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
高晨维
发表于4分钟前
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:故事发生在1968年的南非,严格残酷的种族隔离制度让在那里生活着的两千五百万黑人面临着悲惨的命运。为了维护种族的权利,一部分黑人们奋起反抗,但等待着他们的结局不是驱逐出境就是被关押在罗宾岛监狱之中。詹姆斯(约瑟夫·费因斯 Joseph Fiennes 饰)就出生在这样恶劣的局势之中,幸运的是,他是一位不折不扣的白人。从小大人们就向詹姆斯灌输着“黑人低人一等”的荒谬概念,成年之后,已然完全被洗脑的詹姆斯成为了罗宾岛监狱的一名看守,而他所看管的囚犯正是南非的民主斗士曼德拉(丹尼斯·海斯伯特 Dennis Haysbert 饰)。随着时间的推移,对黑人们越来越了解的詹姆斯开始对自己的所作所为产生了质疑——难道白人就真的可以这样理所当然的囚禁和侮辱自己的同胞吗?