二战后的十数年，人人人性日本从战败的阴影中逐渐走出，人人人性进入了经济高度增长的时代。然而强硬的经济政策也导致失业率的不断攀升，各种反政府武装势力不断抬头，安定的社会治安荡然无存。为了应对这一难题，政府建立了拥有高度自主权的首都圈治安警察机构，通过精良的装备和果断的武力来打击以“党派”为首的反政府组织。随着经济不断发展，崇尚暴力的首都圈警察和“党派”逐渐遭到民众的厌弃和孤立。在一次激烈血腥的交战中，隶属“党派”的少女阿川引爆炸弹自杀，目睹这一幕的首都圈警察成员伏一贵心灵受到前所未有的冲击。这一刻起，他的人生悄悄发生转变……本片荣获2000年每日电影最佳动画片奖、1999年葡萄牙国际奇幻电影节最佳动画片奖和评委会奖。
杨依蓓
回复 :
黄磊
回复 :Odette是个八岁的小女孩，喜欢跳舞和画画。她非常讨厌父母亲的一个朋友，因为他总是想和她玩“挠痒痒”的游戏。成年后，Odette终于能够畅所欲言，回顾她的舞蹈演员生涯以及生活中的漩涡……
林沐桦
回复 :This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity.I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few).Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).
