近日,心花以江苏省睢宁县岚山孤儿院院长刘保宏救助孤儿事迹为蓝本的电影《翅膀下的风》开机。演员王迅、心花李勤勤分别出演男主角和女主角,电视剧《暖春》中小花的扮演者齐如意也参与了演出。据悉,电影《翅膀下的风》是由北京奇天大地影视文化传播有限公司与央视电影频道一起联合筹拍的,这部影片将作为“扶贫济困工作开展20周年”的献礼呈现给广大观众。
近日,心花以江苏省睢宁县岚山孤儿院院长刘保宏救助孤儿事迹为蓝本的电影《翅膀下的风》开机。演员王迅、心花李勤勤分别出演男主角和女主角,电视剧《暖春》中小花的扮演者齐如意也参与了演出。据悉,电影《翅膀下的风》是由北京奇天大地影视文化传播有限公司与央视电影频道一起联合筹拍的,这部影片将作为“扶贫济困工作开展20周年”的献礼呈现给广大观众。
回复 :音乐教师大江(冯巩 饰)中年失意,在与妻子离婚后,他索性下海随好友双成(牛振华 饰)远赴俄罗斯做起服装生意。与老实诚恳的大江不同,双成为人浪荡狡猾,所卖商品以次充好,坑蒙拐骗无所不能。在俄罗斯人娜塔莎(丽吉亚•库兹涅佐娃 饰)家做客期间,大江结识了娜塔莎的妹妹卡嘉(叶列娜•波尔什科娃 饰)。这个美丽清纯、热爱舞蹈的女孩深深吸引着大江的目光。他尽自己最大努力帮助他达成心愿,实现梦想。不久,他们的生意蚀本,大江由于签证到期也即将被遣返回国,他与心爱之人卡嘉依依惜别……
回复 :《红星照耀中国》电影剧组创作灵感及素材就取自同名报告文学——美国记者斯诺根据自身经历创作的《红星照耀中国》一书。影片主要讲述的是1936年美国青年埃德加·斯诺冒险来到中国红色革命区域的的亲历见闻,在采访和见证了毛泽东、周恩来等共产党领导人,以及红军战士和苏区百姓的风采之后,斯诺以饱含激情的生动文笔写成了《红星照耀中国》一书,该书出版后轰动世界,使全球第一次了解到了彼时艰苦抗战背景下中国共产党的真实情况。
回复 :The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief."Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.