『1970年，色站全世界都知道贝尔法斯特是个分裂的城市，色站附近邻里都变成贫民窟了，但是我对这一切毫不知情。我的世界就只有这麽大而已——四面牆和几条安静的街道，不过那是在我认识米奇寳之前』『1970年，全世界都知道贝尔法斯特是个分裂的城市，但是我对这一切毫不知情。直到事实像火车一样碾过……』本片根据欧文麦卡菲帝著名的舞台剧拍摄而成，讲述了七十年代北爱尔兰两个少年的故事，一个来自天主教家庭，一个则是清教徒背景，原该水火不容的他们却跨越了边界，成为血盟结拜兄弟。他们学著当时正在上映的《虎豹小霸王》,决定离家抢银行做大事......
韩智俊
回复 :少女马玉凤（马斯晨 饰）因藏毒罪名被判入狱半年，男友罗伯特指使她在狱中寻找杀死他大哥的女子Winnie，以便为其大哥报仇。第一次入狱的玉凤开始了被称为“第一茧”的狱中生活，同监室的女犯人“男人婆”性格跋扈欺凌新人，玉凤在遭男人婆殴打时幸被狱中著名的“疯大姐”（吴家丽 饰）救下，自此玉凤和疯大姐以及多话乐观的大肚婆（林建明 饰）结为好友。原来疯大姐即是Winnie，Winnie受吸毒的父亲拖累，不得不在欢场求生，百无聊赖中自己也染上了毒瘾，因一次偶遇，Winnie与卧底警察阿勇（刘德华 饰）结识，二人坠入爱河，阿勇对毒瘾发作的Winnie不离不弃并计划与之远赴加拿大生活，岂料阿勇身份被揭发，导致Winnie杀死了罗伯特的大哥……
叶倩文
回复 :琉璃子（中谷美纪 饰）是一名泰迪熊艺术工作者，她与在IT公司上班的丈夫聪（大森南朋 饰）结婚三年有余，虽然是众人艳羡的一对模范夫妻。但实际上，这对幸福搭档却彼此过着同床异梦的生活。那种不说破的隔膜持续了整整两年：白天，聪去公司上班，而琉璃子在家制造泰迪熊；晚上，聪回到自己房间玩各种游戏，琉璃子有事叫他得依靠手机。更重要的是，彼此之间夫妻生活几乎被省略，各自在外面有秘密情人，并且想方设法编织着各种小谎言以维持真挚、甜蜜的夫妻关系。两人似乎都意识到了问题的严重性，但是这种剥离肉欲的纯粹精神关系又在琉璃子的细心打理下，变得如此坚固。这种橡皮婚姻的结局会怎样呢……本片根据日本女作家江国香织的同名作品改编。
章子怡
回复 :When Rosa is expected to hand her boss the suntan lotion on a deer hunt, this feels like a sign. Don Reynaldo’s ranch is about to celebrate its farm anniversary, but this passionate hunter’s image is built on a lie. And so, here in the countryside, where men are men, employees are grateful subjects and women diligently and docilely hold it all together, cracks begin to appear in the social life of this microcosm. Ordered around day in and day out, unnoticed by those in her class-conscious surroundings, the menial Rosa gradually becomes an agent of change. While Don Reynaldo’s extended family contorts itself in a bid to save the old order, men begin to arrive at the farm in pickup trucks. Their appearance at the feast and a threat are enough to make the ageing patriarch fear for his life and his family – and force him to act. All that passes is observed by the animals who, either as trophies on the wall or as livestock out to pasture, seem to sense the end of an old hegemony.With a keen sense of how to deploy omens that herald change, Alejandra Márquez Abella portrays an epochal shift in rural Mexico – as seen by characters who are usually relegated to passive supporting roles.
