剧情简介
影片《三年》聚焦在“精准扶贫”工作中的“扫黑除恶”与村霸恶势力，视频展开一场正义与邪恶的较量。以三年驻村帮扶期为时间轴，视频以常年工作和生活在乡村一线驻村帮扶干部为原型，以点点滴滴的帮扶实例实绩为蓝本，旨在生动展现党中央实施减贫战略的丰功伟绩和正确决策，坚决打赢精准扶贫，扫黑除恶攻坚战的真实案例。故事斗转千回，扣人心弦，耐人寻味。反映了新时代共产党人，为人民对党忠诚服务人民的感人故事。
视频樱桃
影片《三年》聚焦在“精准扶贫”工作中的“扫黑除恶”与村霸恶势力，视频展开一场正义与邪恶的较量。以三年驻村帮扶期为时间轴，视频以常年工作和生活在乡村一线驻村帮扶干部为原型，以点点滴滴的帮扶实例实绩为蓝本，旨在生动展现党中央实施减贫战略的丰功伟绩和正确决策，坚决打赢精准扶贫，扫黑除恶攻坚战的真实案例。故事斗转千回，扣人心弦，耐人寻味。反映了新时代共产党人，为人民对党忠诚服务人民的感人故事。
李寿全
回复 :Adult brothers Mark and Colin Pollock still live with their parents Frank and Mavis Pollock in a small apartment in the projects of London's east end in what is a collective depressed and unhappy existence. The three men of the household are all on the dole, each doing little to find gainful employment. Between the brothers, Mark is the smart aleck, who calls his parents by their given names to irk them, and who hangs out with a bunch of hooligans as he refers to himself and his friends, such as a skinhead named Coxy. Although never medically diagnosed as such, Colin is seemingly emotionally slow. Colin likes to hang out with Mark and his friends in his want to be accepted, especially as Mark tells him that a neighborhood girl named Hayley is interested him. The family rarely socializes with Mavis' sister and brother-in-law, Barbara and John, who live a middle to upper middle class and seemingly perfect existence in the suburbs of Chigwell. Although not telling them to their face, John dislikes his relations by marriage, believing especially Mark to be brash and trashy. A unilateral act by Barbara leads to many issues within the extended family coming to the surface, most specifically the true happiness of the marriage between Barbara and John, and what Colin is truly looking for to be happy in life.
加藤和树
回复 :一个残疾少女勇敢追寻梦想的故事。就读于某艺术类高中二年级的少女宫蓓蓓，在同学眼中是一个性格内向、少言寡语、独来独往的异类。由于早年母亲车祸去世，加上自己身体上的缺陷，自卑的蓓蓓早早就品尝到孤独的苦涩。直到有一天她发生了一起撞车事故，青春的蓝色大门渐渐打开，那束光从此照进生命……
阿果
回复 :这是一部极富时代意义的影片。1960年日本人民反抗美国“日美安全保障条约”的斗争正是如火如荼的时候，全国上下以学生、工人为代表展开大规模示威游行，并遭到政府的暴力压制。而此时的日本社会虽然也受到一定的冲击和破坏，但群众规模巨大的示威游行还没有爆发出更为强烈的力量。影片以大阪贫民街釜崎为舞台，描写了流氓团伙中狐朋狗党之间相互争吵与武斗的事件。片中所描写的暴力破坏事件，是一种突发的偶然事件，但其中的情绪却直指当时的社会运动局势。在这一点上，曾经领导过学生运动的大岛渚，显示出一个时刻关注社会的艺术家在作品中对时局的启发性和预见性的见解。同时，影片就在釜崎实地拍摄，具有某种纪录片意义，也是一种很能激发观众情绪的手段。大岛渚在影片中还营造出一种悲观沉痛的氛围，给这种颠覆性暴力举动蒙上一层伤感的阴影，这显然出自导演自己学运被压制的沉痛回忆和对当时社会运动的悲观瞻视。不管影片所提出的暴力破坏宣言是否能被群众接受，这种理论和号召是否能正确指引当时的社会运动，大岛渚的影片还是由于强烈的时效性和尖锐的观点，吸引了大量观众，并对人们认识、了解时局产生了一定的影响。总之，这是一部观众反应强烈的影片。
