FateGrand Carnival OVA
地区:美国
  类型:喜剧
  时间:2025-03-10 05:07:55
剧情简介

The world, life and work of Jaime Fernandes, a peasant born in Barcos (Beira Baixa, Portugal), who was diagnosed with paranoid schizophrenia at the age of 38 and interned in a sanatorium in Lisbon, Hospital Miguel Bombarda, where he died at the age of 69. When he was 65-years-old he started to paint and during the short period of life-time until his death he made a brilliant pictorial work, influenced by the social environment and the sanatorium daily-life.For the Portuguese-speaking members a lot of information about the film and director can be found here: http://antonioreis.blogspot.com/For the French-speaking members: Critic de Jean Louis Schefer, CinŽmathque-http://antonioreis.blogspot.com/2007/07/160-jaime-crtica-de-jean-louis-schefer.html

695次播放
16人已点赞
48人已收藏
明星主演
喇西塔吉于微
粉娱三宝
何佩儿
最新评论(334+)

高明瀚

发表于8分钟前

回复 :罗伯特(陈勋奇 饰)从小就失去了父母,和舅父相依为命的他在舅父的广告公司中谋得了一份不错的差事。克里奥帕拉(倪淑君 饰)是公司里的创意经理,长相甜美个性活泼的她吸引了罗伯特的注意,令罗伯特深陷情网不能自拔。一次偶然中,罗伯特的舅父从古董店中偷得了一枚铜镜,让他没有想到的是,他竟然就此将一位古灵精怪的小狐仙也顺道带回了家。调皮的小狐仙附在了克里奥帕拉的身上,利用自己的法力和克里奥帕拉的身体制造了一连串的祸端,可即便如此,罗伯特还是深深的迷恋着她。为了让着了魔的侄儿还魂,罗伯特的舅父偷偷调换了铜镜,没想到却让罗伯特因此死于一场车祸,小狐仙现身施法,令时光倒转,想要救回这个痴心人。


颜蓥奇

发表于2分钟前

回复 :Banksy, the world's most infamous street artist, whose political art, criminal stunts, and daring invasions outraged the establishment and created a revolutionary new movement while his identity remained shrouded in mystery.


狗毛

发表于8分钟前

回复 :An alarmingly disproportionate number of Black women are failed every year by the U.S. maternal health system. Shamony Gibson and Amber Rose Isaac were vibrant, excited mothers-to-be whose deaths due to childbirth complications were preventable. Now, their partners and families are determined to sound a rallying cry around this chilling yet largely ignored crisis.Directors Paula Eiselt and Tonya Lewis Lee follow Gibson’s and Isaac’s bereaved partners, Omari Maynard and Bruce McIntyre, as they fight for justice and build communities of support, bonding especially with other surviving Black fathers. Their tragic, individual experiences are punctuated with condemning historical context, showing that gynecology has a long-standing history of exploiting and neglecting Black women in America. In the arresting words of mother-to-be Felicia Ellis, “A Black woman having a baby is like a Black man at a traffic stop with the police.” She emphasizes that paying attention is paramount. Aftershock brings an unsettling reality to the forefront while uplifting the families, activists, and birth workers who are striving to bring institutional change and legislative reform. These mothers will not be forgotten.


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