女女同性女同一区二区三区
地区:法国
  类型:杜琪峰
  时间:2025-06-08 13:17:39
剧情简介

在美国西南部小镇黑岩,女女女同当地居民都有一个共通的秘密——他们在二战时虐待了日裔农夫。当一个外来的独臂人到镇上向人问问题时,女女女同便引起了人们的怀疑和恐慌。

9次播放
3人已点赞
8896人已收藏
明星主演
猎虹乐团
布袋寅泰
猎虹乐团
最新评论(644+)

彭海桐

发表于9分钟前

回复 :這是一群美國年輕背包客到非洲旅行的故事,在發現了小屋廢棄已久之後,一切開始不太對勁。為了在這充滿未知威脅的環境下生存下去,他們得學會合作且並肩對抗逆境。他們很快的發現了身處於非洲最黑暗的地方,必須學會提防未知的危險,且不能相信任何除了自己之外的人,這趟旅程,讓他們學會別相信任何人...


廖自升

发表于2分钟前

回复 :故事背景就发生在驱魔名人艾德与罗琳华伦这对恶魔学巫术顾问夫妇的家中;他们在各地为有需要的人驱魔,并且为了防止这些恶魔邪灵再度危害人间,他们将那些被诅咒、被鬼附身甚至被拿来举行邪教仪式的物品带回家中,放置于神器室兼灵异博物馆中加以保存,并且固定时间请神父来祈福、净化,而邪恶到连罗琳华伦都不想与它正面直视的安娜贝尔就是被华伦夫妇灵异博物馆「收藏」的物品之一。在某个不洁的夜里,通往华伦夫妇灵异博物馆的大门被开启,华伦夫妇女儿茱蒂的朋友进入了灵异博物馆内,不知事态严重性的她,不经意地将安娜贝尔释放出来,带领着馆中所有被释放出的恶灵,苏醒过来的安娜贝尔与恶灵们有了全新的目标:华伦家的女儿茱蒂与她的好朋友…


黑鸭子合唱组

发表于8分钟前

回复 :This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.


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