本部戏单论剧情而言相当的平凡……甚至是平庸:绝密一对新婚夫妇在巴士上遭遇抢劫,绝密丈夫藏钱被杀后歹徒逃离不知所踪,妻子伤心至极,后来却被人骗取钱财,再受闷棍之下,又被「好心人」带至家中想要做他的姘头。
本部戏单论剧情而言相当的平凡……甚至是平庸:绝密一对新婚夫妇在巴士上遭遇抢劫,绝密丈夫藏钱被杀后歹徒逃离不知所踪,妻子伤心至极,后来却被人骗取钱财,再受闷棍之下,又被「好心人」带至家中想要做他的姘头。
回复 :1:...And All Through the House这个故事讲述一名在圣诞前夕谋杀了自己丈夫的女子正在处理尸体之际,曾在广播中报道过的一名有着强烈杀人倾向并乔装成圣诞老人的模样变态却逃窜到她家附近,而这时的她却无法报警....2:Reflection of Death一名男子为了私奔,不惜抛妻弃子,深夜与情人驾车逃离本来的居处,可是在路上却发生了令人异想不到的恐怖事件,这个故事十分精彩,后期的《小岛惊魂》,甚至是《死神来了》等很多恐怖片的灵感来源都可以在这个故事里得到充分体现3:Poetic Justice讲述两名冷酷势力的父子,为了赶走他们一向讨厌的邻居,用尽残忍冷酷的手段而逼死他人并最终得到报复的故事,这个故事非常传统,剧情也几近老套,但是由于老牌演员Peter Cushing那令人惊叹,入木三分的表演而提高到了另一个层次,让观众深深为故事里那位受尽排挤,但却善良孤独的老人而同情悲愤。
回复 :《三十二》试图走进一个“慰安妇”的内心世界,是一部纪录片。“慰安妇”这三个字,曾经在多少中国人心里被披上“中国耻辱”的外衣。曾几何时,又是多么敏感的一个词。多少人想揭,却不敢活生生揭开;多少人想拍,又怕打扰到她们的生活。这是一段疼痛的历史,每个中国人心知肚明。尘埃无足 轻重,所以无人留意,影片的第一个镜头便是飘落的尘埃,足足三十二秒,隐喻着我们的视角和态度,讲述这一段真实却“随风飘落”的故事……荣誉侵华日军南京大屠杀遇难同胞纪念馆/南京利济巷慰安所旧址陈列馆-永久馆藏2013中国纪录片学院奖-最佳摄影(蔡涛)2014凤凰视频纪录片大奖-最佳纪录短片2014英国万像国际华语电影节-最佳纪录片2014滨海国际微电影节-最佳纪录片2015中国民族题材纪录片回顾 展-特别奖2015美国里士满国际电影节-最佳纪录片(提名)展映中国电影导演协会北京(国际)大学生影像展马尼亚人权国际电影节英国梅德韦视野电影节美国纪录片电影节广州国际纪录片节
回复 :Arkham, 1975: Jonathan Davis' father has disappeared. His tracks lead to Germany, to the Swabian-Franconian Forest where he was stationed after the Second World War. Jonathan sets out to find him and bring him home, but deep in the woods he discovers a dark mystery from the past. Based on H.P. Lovecraft's short novel "The Colour Out of Space".brutashell review - 'Filmed in black and white and primarily spoken in German, it is obvious that Die Farbe did not have a huge budget to work with. Effects are minimal and the cast is utterly unknown. I should point out that these are all good things, and work very much in the film's favour. There is no CGI to rely on, no name actors to carry it. Rather, the filmmakers do the unthinkable: they create a genuine atmosphere of unimaginable dread and unspeakable horror, using shadow, suggestion and rare splashes of that Nameless colour in a few select frames. In short, they did a damn good job. Die Farbe is subtle in its mounting horror, nurturing a dark dread deep in your bowels with every shot. All of the best and most stomach-turningly distressing films I’ve ever seen have come out of Germany: M, The Cabinet Of Dr. Caligari, The White Ribbon, and now this one. Leave it to the Germans. We know how to gross you out on the deepest psychological levels.Lovecraft worshippers and devotees of German Expressionism alike, take heed: seek out and view this film at your earliest possible convenience. It’s a dark, noisome little gem that will squirm into your subconscious and lay its eggs in your sanity. Hey, not everyone gets the honour of being a host organism for the Elder Gods, you know.'