故事发生在上一作的20年之后，黄色此时的简（艾米莉·莫迪默 Emily Mortimer 饰）与迈克尔（本·威士肖 Ben Whishaw 饰）已经长大成人，黄色两人都经历了人生的种种酸甜苦辣。妻子过世之后，迈克尔肩负起了养家和照顾孩子的职责，无奈安娜贝尔（皮格茜·戴维斯 Pixie Davies 饰）、约翰（纳撒内尔·萨利赫 Nathanael Saleh 饰）和乔治（乔尔·道森 Joel Dawson 饰）都颇有他们老爹当年的风范，调皮的可怕，令迈克尔一想起来就头皮发麻，只得召唤姐姐简前来帮忙。某日，孩子们在公园玩耍，一阵大风带来了从天而降的魔法保姆玛丽（艾米莉·布朗特 Emily Blunt 饰） ，她的回归给这个岌岌可危的家庭带来了新的希望。
大规模进攻乐队
回复 :When the film begins, it is all over. “We know it’s terminal, and that’s all”, says Juliane of her mother Kerstin, who is in great pain and about to die aged just 64. Although the young doctor she consults acknowledges on a personal level that everyone has the right to manage their own death, he nonetheless reminds her that euthanasia is still illegal in Germany. This is even more the case at the Catholic hospice where Kerstin is staying. As relatives come to say goodbye to her mother and the emotions of memories mingle with the anticipation of grief, Juliane finds herself having to do battle with time – unbending, apathetic and monochrome – and this is superbly reflected in the convulsions of the handheld camera in wide shots.Based on personal experience, Jessica Krummacher’s second feature film vividly relates the painful story of losing a parent. There is no violence or morbidity, rather the director describes the most important of events via the smallest, most fragile of details – the exchanging of words, texts and tender gestures that remain with us and get under our skin.
新寺洞老虎
回复 :由DJ讲述的，发生在平行宇宙的浪漫爱情故事。在伦敦，一个女孩深爱着一个男孩。而在印度，有一个男孩同样爱着一个女孩。男孩和女孩都有着相同的相貌。两个单相思的爱情故事，背负着社会地位、种姓、宗教和不平等的负担，努力的向各自奔赴。新时代的罗密欧与朱丽叶能否顺利开花结果？
李伟宾
回复 :Terminally ill Janette wants to die with dignity, but it’s not possible in the UK, where she lives. She therefore decides for assisted suicide. She must plan her journey to Switzerland before her rapidly advancing disease makes it impossible. The question of whether we own our own lives or whether they own us is the primary impetus behind this documentary portrait, which shows that death can be good despite the sadness that always accompanies it. The film, with dramatically suggestive camera work, uses feature film techniques, and engaging characters and stories of their loved ones are interwoven with Janette’s story."Let's talk about death because we will all die someday. The question is: can we choose when and how? I think we should." T. Krupa
