《丑女无敌》（第三季）结束时，系列林无敌因为被李安瑞陷害，系列被警察带走。（完美季）一开始，林无敌在神秘人物的支持下，高调回归概念广告公司，成为新的总裁。在新的平台上，林无敌的管理能力受到空前的挑战。她不再是原来那个能干听话、乐于助人的小职员，而是要成为叱诧风云的职业经理人，每一个决定都会影响公司员工（尤其是“丑女俱乐部”）的饭碗，林无敌面临来自多方的压力。更何况，她接手的概念公司历经费德南的不作为、李安瑞的乱作为之后，已经风雨飘摇。林无敌能否调动所有的智商和情商，为概念带来转机？好在林无敌还是拥有众多的支持者，尤其是费德南和雷囧对她坚定不移的信任。但与两个男人的感情纠葛，又给林无敌带来新的犹豫和压力。她不愿意伤害任何一个人，可是也不愿意再轻易踏入情感的激流。她的感情，何去何从？（完美季）继续轻松明快的喜剧风格，剧情更跌宕，感情更炙热，矛盾更尖锐，感觉更时尚。
刘芮伊
回复 :Arick是一个在迈阿密工作的实习律师,为了给主管留下好印象,他接了一份自己难以胜任的工作--开车送主管的侄女和她的宠物猪去洛杉矶,一路上他们遇到了搭便车的人,汽车故障和许多印象深刻的当地人,总之各类事件层出不穷,经过这一旅程后,ARICK明白了,其实世界上还有很多比当一个成功的律师更加重要的事情...
宫平峻
回复 :民国初年，广东发生少有的旱灾。洛溪镇的苏记酒厂为酒厂用水与斧头帮大打一场，并打伤了斧头帮主雷豹的儿子，自此两家结为冤家。苏记酒厂大少爷苏灿，生性不羁，沉迷武学，对酒厂的伙计甚加严厉，但对妹妹苏铃偏袒有加，非常爱护。苏灿的未婚妻洪绮莲从国外完成学业归来，苏灿因忙于谈生意，未去接洪绮莲，刚下火车等苏灿的洪绮莲又遭遇小偷，幸好有苏记酒厂的程宗解围，行李箱未被窃走。洛溪镇一年一度的花炮会上，各帮帮会为赢得花炮会霸主，都派出高手上台争抢花炮，苏灿同斧头帮主雷豹将其他帮会高手打下台去，二人接着大打出手，雷光火花间，几个回合之后，苏灿一脚将雷豹踢下高台，赢得花炮会霸主。洪绮莲的父亲自未来女婿赢得花炮会之后，洪鹰拳馆生意兴隆，洪鹰成天对人宣扬苏灿是自己得意的徒弟，着实风光了数日。洪绮莲一日前去赴宴，请他的是在美国认识的史密夫，如今史密夫来中国做起了洋买办，二人...
汪蕊
回复 :Last at the Festival with 2017’s rural noir Dark River, a selection in the Platform programme, writer-director Clio Barnard returns to the Bradford, West Yorkshire setting of her earlier films for this tumultuous, fiercely affecting midlife love story.A bundle of good humour and nervous energy, Ali (Adeel Akhtar) is a British Pakistani working-class landlord who forges close bonds with his tenants. One day, while picking up one of his tenants’ children from school, he offers a lift to Ava (Claire Rushbrook), an Irish-born teacher and single mother of five. They bond almost instantly through their love of music, though Ali favours the high energy of Buzzcocks and hip-hop while Ava takes refuge in the quieter comforts of Bob Dylan and Karen Dalton. Despite their divergent backgrounds, differences in their stages of life, and the colour of their skin, despite the fact of Ali’s failing marriage and Ava’s fraught relationship with her adult and adolescent children, each finds themself irresistibly drawn to the other. But can their mutual desire transcend a barrage of personal obstacles?Inspired by people Barnard encountered while making her acclaimed features The Arbor and The Selfish Giant, Ali & Ava is a film that feels profoundly rooted in lived experience, blending a tender emotional complexity with an at times bracing depiction of trauma and grief. Akhtar and Rushbrook’s finely hued performances speak to the setting’s cultural diversity and tribal loyalties while yielding a vulnerability that’s alternately heart-wrenching and joyous. Their story serves as a reminder that it is sometimes the least likely connections that are the ones most worth pursuing.
