高进（周润发 饰）前来香港与赌魔决斗，无处怎料刚抵港，无处便被南哥（杨泽霖 饰）追杀，结果堕入陷阱而失忆。幸得刀仔（刘德华 饰）和其女友珍（王祖贤 饰）相救，他们把高进带回家中疗养，发现高进精通赌术后，兴奋不已，想利用他来挣大钱，却反而因为高进发挥不稳亏了钱。高进妻子遭其堂弟 高义醉酒后污辱杀害。高义进而联手南哥，设计谋害高进，四处搜罗进的藏身地点，前往追杀。逃亡之时，高进翻车受伤，竟恢复了记忆——但是却怎样也记不起失忆期间的事情。刀仔提醒进，高义并非好人，但进却已然蒙在鼓里，不知危难当头。
付辛博
回复 :小贩孙文光在一次事件中遭高级督察诬陷入狱，出狱后回家，始知旧居已遭卖掉，此时是一名叫七巧的少女居住其中，七巧乃坚女友，但却对孙生出好感。孙住在好友铁木真家中，铁之同居女友波子暗当私钟女郎，被坚召去大逞淫欲，孙知道后找坚痛殴一番。孙被卷入杀人案中，并误杀坚之表弟逃去，坚为了寻出孙，不慎严刑逼青铁及波，最后更导出人命……
男孩地带
回复 :麦克（加布里埃尔·巴索 Gabriel Basso 饰）是一名17岁的少年，他被控告谋杀了自己的父亲。所有证据都表明麦克确实犯下了不可饶恕的罪行，行凶的刀上检测到了他的指纹，更糟的是，麦克似乎并无意于为自己发声，从逮捕到临近开庭，他一言未发。理查德（基努·里维斯 Keanu Reeves 饰）是负责为麦克辩护的律师，法庭上所有的一切都对他的辩护非常不利。然而，理查德的直觉告诉他，麦克并不是杀人凶手，一切的背后定有隐情。于是，他找来了同行珍妮（古古·姆巴塔-劳 Gugu Mbatha-Raw 饰）做帮手，两人决定重新彻查此案，不放过任何的蛛丝马迹。
乔史崔尼
回复 :In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.
