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爱乐团
回复 :镜头中的漫无目的，眼睛里的司空见惯，喧闹暴戾的噪声，空寂凌乱的画面，略带散漫的影像，给你带来的也许不是享受，不是思考，而是进一步的混乱———你会看到煞有介事满月，一本正经的促销，光天化日下的暴力，不动声色的悲哀，看似天真的成人游戏，举国欢腾的万众狂欢，幽灵一般的焰火和让人战栗的爆裂——— 像是祭奠着这个喧嚣的年代。
陈明真
回复 :明德戏院有明德三宝，分别是慈禧太后坐过的金銮宝座，增寿延年的七香茗片和金缕柴烟。八旗遗少伊兰为了一探明德三宝究竟，包下戏院，却在当晚猝死在金銮宝座上。接着包场的妓院老板马蹄莲等人也接连死在了宝座上。而与此同时，丰城又来了个督军孙有志。为了揭开明德戏院的秘密，探长齐悟明以身涉险，亲自坐上了金銮宝座，探长诈死在宝座上，却揭开了明德戏院的秘密。原来明德双宝相容有毒，在酒精的催化下更会要了人命，而一切的始作俑者竟然是督军孙有志……
尹子茹
回复 :Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
