生化The remake of the 1970 Neil Simon comedy follows the adventures of married couple Henry and Nancy Clark as they are vexed by misfortune while in New York City for a job interview.
生化The remake of the 1970 Neil Simon comedy follows the adventures of married couple Henry and Nancy Clark as they are vexed by misfortune while in New York City for a job interview.
回复 :一群乌合之众必须在他们被摧毁的城市里与消灭小队战斗。
回复 :故事发生在第二部分的事件之后,罗杰·史密斯的双胞胎儿子阿德莱和迪克出生了;其中一个孩子突然被绑架并且被教导成了邪恶的人,而阿德莱责下定决心破坏邪恶的阴谋并拯救“特罗马维尔”....
回复 :When the film begins, it is all over. “We know it’s terminal, and that’s all”, says Juliane of her mother Kerstin, who is in great pain and about to die aged just 64. Although the young doctor she consults acknowledges on a personal level that everyone has the right to manage their own death, he nonetheless reminds her that euthanasia is still illegal in Germany. This is even more the case at the Catholic hospice where Kerstin is staying. As relatives come to say goodbye to her mother and the emotions of memories mingle with the anticipation of grief, Juliane finds herself having to do battle with time – unbending, apathetic and monochrome – and this is superbly reflected in the convulsions of the handheld camera in wide shots.Based on personal experience, Jessica Krummacher’s second feature film vividly relates the painful story of losing a parent. There is no violence or morbidity, rather the director describes the most important of events via the smallest, most fragile of details – the exchanging of words, texts and tender gestures that remain with us and get under our skin.