欧美综合自拍
地区:日韩
  类型:恶搞
  时间:2025-05-01 02:48:32
剧情简介

欧美Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence.  Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles.  Magdalena lives with her adopted parents and works in an art gallery.  The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch.  Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date.  The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride.  The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled.  Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert.  The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.

31825次播放
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明星主演
年少二人组
韩宝仪
中坚份子
最新评论(832+)

大门乐队

发表于2分钟前

回复 :丽丽·摩法特(贝蒂戴维斯饰)是一个女教师,她生活在一个威尔士一个以采矿业为主的小镇上,因为当地人的观念十分陈腐,在教育方面非常落后。丽丽·摩法特不忍看到当地的孩子一代一代这样下去,觉得十分烦恼,她决心要改变这种现状。于是,她建立了一所学校,试图为村民们进行基本的读写教育。但是,当地的头头和他的女儿不愿意看到村民再有了知识之后,反抗对他们的压榨,不再遵循他们制定的规矩,处处阻挠丽丽·摩法特的计划。当地的乡绅也为了自己的利益,不愿意出租房子给丽丽·摩法特作为学校的场地。因此,摩法特决心是用自己的屋子,成立墨法特学校。她的学生之一摩根·伊凡(约翰道尔饰),从一个欺凌弱小者变成了一个非常有才华的人物。


张志家

发表于5分钟前

回复 :故事讲述德维尼饰演的银行家事业失败、情场失意,他试图通过神奇的“魔法训练营”回到自己的少年时期,找回自信,重塑人生。


吉雪萍

发表于1分钟前

回复 :Coming as it does from the depths of the Stalinist regime, the Russian Road to Life is a remarkably optimistic film. A host of nonprofessional children are cast as Moscow street kids, left homeless by the Bolshevik revolution. They get into all sorts of melodramatic scrapes until they're rounded up by kindly, altruistic Soviet functionaries. The children are reformed (in the nicest possible way) and made useful members of society. Road to Life is simplistic in its solutions to society's problems, albeit no more so than the usual Hollywood product from the same period.


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