沙展蓝迪（许志安 饰）办案兢兢业业，但收入微薄不足以照顾好身边至亲。蓝迪与搭档阿船（雷宇扬 饰）接到社团老大辉少（谢天华 饰）藏毒线报，却在抓捕时发现辉少早有安排，线人遭到社团威胁离港而去，蓝迪与辉少一伙当面对质反遭羞辱。蓝迪在跟踪辉少时结识一名砸烂辉少跑车的女子June（李丽珍 饰），June因服用精神药物导致记忆力受损，敌视辉少的二人自然而然的走到了一起。欠下辉少高利贷的阿船不想再受辉少威胁，意欲摆脱却遭到报复，为了搭救阿船，蓝迪将辉少打死。辉少之父——黑帮龙头人物耶稣声称蓝迪必须自杀偿命，蓝迪和周围人的生活陷入了深渊……
菲尔柯林斯
回复 :A minister is malevolent and sinister behind his righteous facade. He consorts with, and later extorts from, the owner of a gambling house, and betrays an honest girl, eventually driving them both to ruin
吴淑敏
回复 :30好几的杜拉拉（林依晨 饰）二次归来，一心想与王伟（周渝民 饰）结婚的她遇到劲敌美少女沙当当（林珍娜 饰），而另一名追求者陈丰（陈柏霖 饰），和新上司曲络绎（邬君梅 饰）的出现，让杜拉拉对人生的选择陷入迷惘。面对接踵而来的问题，杜拉拉是否能再次“升职”成功呢？
财津和夫
回复 :The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
