剧情简介
该片改编自在全球22个国家出刊的畅销小说家纪尧姆·米索（Guillaume Musso）的同名小说。讲述的是一位医生重返过去和数十年前的自己相遇，亚洲级为了拯救已逝的恋人而往返于过去和现在的故事。金允锡饰演现在的男主人公，亚洲级而卞耀汉则饰演过去年轻时的男主人公。
亚洲一级毛片
该片改编自在全球22个国家出刊的畅销小说家纪尧姆·米索（Guillaume Musso）的同名小说。讲述的是一位医生重返过去和数十年前的自己相遇，亚洲级为了拯救已逝的恋人而往返于过去和现在的故事。金允锡饰演现在的男主人公，亚洲级而卞耀汉则饰演过去年轻时的男主人公。
潘恩蓓
回复 :转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
李雨寰
回复 :梁碧玉（张绮桐饰）误交损友阿莲，被阿威等人掳胁，拍下强奸过程，威胁玉往深圳当倡妓。玉的回母（罗兰饰）寻失踪孙女，在深圳遇上正真公安锋队长（尹扬明饰）。另一少女何少芬（陈颖妍饰）於潮州偷渡往香港，但不幸被禁锢当倡妓，并梁上毒癖。王国柱（回一君饰）是名大学生，为写有关妓女的论文往召妓，找上了阿芬，少芬求助於柱，国柱报警求助………
傅天颖
回复 :讲述了武当派张翠山之子张无忌无意中卷入屠龙刀而起的江湖纷争之中，因缘际会练就一身盖世武功，主要是明教和中原武林之争及起义军和腐朽朝廷之间的对抗。
