QuebecBillBohomme是一个吃苦耐劳的谋士和梦想eee。为积累钱财,点第保护快要消亡的牧群能够抵抗迅速到来的严冬,点第他挺而走险的乾起了走私威士忌酒的家族传统生意。QuebecBill带着他的儿子WildBill一起上路,同行的还有一位让人捉摸不透的威士忌酒走私贩HenryCoville和终身受雇于QuebecBill,忧郁,有前科的RatKinneson。他们穿越边境,进入广袤的加拿大荒野一起经历难以磨灭的四日“充满恐惧,充满惊奇”。
QuebecBillBohomme是一个吃苦耐劳的谋士和梦想eee。为积累钱财,点第保护快要消亡的牧群能够抵抗迅速到来的严冬,点第他挺而走险的乾起了走私威士忌酒的家族传统生意。QuebecBill带着他的儿子WildBill一起上路,同行的还有一位让人捉摸不透的威士忌酒走私贩HenryCoville和终身受雇于QuebecBill,忧郁,有前科的RatKinneson。他们穿越边境,进入广袤的加拿大荒野一起经历难以磨灭的四日“充满恐惧,充满惊奇”。
回复 :20世纪之初,高尔夫球还只是英国贵族和绅士们的游戏,底层人民没有资格染指其中,它无疑是身份和权力的象征。少年弗朗西斯·奥密特(Matthew Knight 饰)出身平民家庭,读书之余他经常担任球童贴补家用。在这一过程中,对高尔夫球的热爱悄悄在他的心中生根发芽。他勤奋努力,且天资聪颖,渐渐成长为一名出色的业余选手。1913年,弗朗西斯有幸参加绅士云集的公开赛,它不仅有机会与自己的偶像哈里·瓦顿(史蒂芬·迪雷恩 Stephen Dillane 饰)正面对决,还将成为改写高尔夫球史的重要人物……本片改编自马克·弗罗斯特(Mark Frost)的同名畅销小说,取材于高尔夫球界的真实故事。
回复 :四大家族之一的金虎堡堡主在一次押镖途中,被四名蒙面和尚劫杀。叶青花被怀疑与此案有关,游侠雷迅助友洗脱嫌疑,竟卷入奇案,三闯少林找出四名和尚,当众伏法,以为真相大白;岂料,四名和尚又到处杀人,雷迅才知道被人利用,引发连场打斗。
回复 :Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.