Jin-won（高小英 饰）自小失去父母，死亡跟着姨妈生活，死亡感到十分孤苦伶仃。由于她不想被其他人伤害，故此形成了尖酸刻薄的性格。对Jin-won来说，拥有自己的孩子就是她人生的一个目标。Jin-won嫁给了Suk-yoon，但纵使Suk-yoon已经尽力，至今仍没有孩子。Suk-yoon曾劝过Jin-won可以领养孩子，但Jin-won仍坚持要有自己的孩子。正当他们的希望快要变成绝望之时，却传来了一个好消息......
林承光
回复 :两个年轻人在一次旅途中迷失了方向，巧的是他俩的名字都名叫“杰瑞”。于是在沙漠里两人开始了寻找归途之旅。在去年圣丹斯电影节上，这部影片让半数以上观众离场。在关于此片的国外评论中最常用到的词是“极端极简主义”。的确，整部片子拥有一句话可以讲完的故事情节，构图简单的超长镜头(全片不超过50个镜头)，还有著名现代音乐家，极简主义的代表人物阿沃·帕特的音乐，所有这一切，构成了这部爱之极爱，恨之极恨的作品。
朱孝天
回复 :电影讲述了大学校园里一段疯狂而炙热的追爱故事。追最美的姑娘，干最疯狂的事儿，闯最丢脸的祸…这，就是青春！
文筱芮
回复 :Just two weeks before Roya, a banned Iranian journalist, is set to emigrate from Iran to Denmark at her husband’s insistence, she encounters a quiet young girl. The girl seems lost and doesn’t remember anything. Roya takes her in, unaware that the girl has abandoned her previous life and now has come to replace Roya. A couple of days later, Roya finds out that she will be prohibited from leaving Iran unless she sells out a colleague to the government authorities. Soon after Roya refuses to betray her friend, the young girl steals Roya’s identity and takes over her life with the assistance of Roya’s husband, Babak. As Roya fights to recover her identity, she realises, to her surprise, that no one remembers her anymore and that everybody takes the lost girl to be her. Babak throws Roya out of the house, at which point the authorities decide that Roya is to be exiled to another life as a passive housewife named Hanieh.
