剧情简介
普拉萨莎（Prahastha）是一名印度罗刹。在现代社会，好地他也是一名孤独的宇航员。他为一家从事死亡后过渡服务的公司工作，好地为死者服务以帮助他们更好的重生。每天早上，他的飞船靠近地球，迎接刚刚去世的人类。 在普拉萨莎一个人工作了近75年后，现在，年轻、受欢迎的宇航员尤维什卡（Yuvishka）经过尖端技术培训，即将作为他的助手加入太空船。软科幻+印度神话的温暖治愈系故事。
带我去个好地方
普拉萨莎（Prahastha）是一名印度罗刹。在现代社会，好地他也是一名孤独的宇航员。他为一家从事死亡后过渡服务的公司工作，好地为死者服务以帮助他们更好的重生。每天早上，他的飞船靠近地球，迎接刚刚去世的人类。 在普拉萨莎一个人工作了近75年后，现在，年轻、受欢迎的宇航员尤维什卡（Yuvishka）经过尖端技术培训，即将作为他的助手加入太空船。软科幻+印度神话的温暖治愈系故事。
徐子崴
回复 :阿文（古天乐 饰）是一个小巴司机，在一次交通意外中丧生了，他的新婚妻子小慧（张栢芝 饰）强忍伤痛也要继续生活下去，还要照顾阿文与前妻生下的儿子乐乐（原岛大地 饰）。她开着阿文生前用过的小巴开始新的生活，可是行内的人都看不起这个女小巴司机，踌躇满志却处处碰壁。大辉（刘青云 饰）同情她的遭遇，便开始教授她一些在行内需要注意的行规以及竞争的方法。迫于生活的压力，小慧想让乐乐过上好生活，便打算把乐乐交给他的生母抚养，大辉出面阻止，并承诺帮忙抚养乐乐，但其实大辉心中也有不少解不开的结，两个同样心事重重的人，走到了一起。
彭芳
回复 :若规慎二（内野圣阳 饰）是生命保险公司下非正常死亡赔偿事务的调查员，某日若规应邀到客户菰田重德（西村雅彦 饰）家中做客，意外撞见菰田的继子和也上吊的自杀现场。事后菰田夫妇未表现出过多悲伤，反而不断催促若规索取赔偿金。若规根据种种疑点推断和也绝非自杀，暗中展开调查。菰田夫妇则从最初的催促演变成恐吓，令若规疲惫不堪。最后经警方调查，认定和也确系自杀，菰田夫妇得到巨额赔偿。本以为事情告一段落的若规很快得知，菰田重德做工时不慎被切断双臂，其妻幸子（大竹しのぶ 大竹忍 饰）有很大嫌疑。若规重新介入其中，不曾想却陷入一个比想象的更为黑暗的漩涡之中……
四分卫
回复 :In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.
