据说苗族赶尸人天姬和天碟看管着一队僵尸，有码尸队中有一个老先生，有码是一位得道的大师。在赶尸的途中，有一个黑巫师欧阳哈想过来偷尸。原来这位老先生并不是什么得道的大师，而是一个阴气太重的大恶人邪王。欧阳哈想借尸还魂，吸取尸体的精气，提升自己的巫术。此时，欧阳哈也命将归天，更要借尸还魂，延长自己的寿命，便前来偷尸。在几番斗争过程中，出现了一个世外高手雷震子，一直暗中保护着天姬和天碟。最终，欧阳哈成功偷取邪王的尸体，完成了借尸还魂的巫术。就在此时，邪王意外复活，反而吸取了欧阳哈的魂魄，天姬、天碟和雷震子能否击败复活的邪王呢？
病毒
回复 :屁股长在脸上的少女，没有眼睛的妓女，脸部畸形的妇人，想变成美人鱼的男孩，侏儒女想要孩子，他们因为外貌的丑陋，而活在自卑痛苦之中。
徐洪武
回复 :快跟随导演马丁·斯科塞斯，与明星罗伯特·德尼罗、阿尔·帕西诺和乔·佩西一起，对《爱尔兰人》进行一次近距离、有趣的深入了解。
徐仲薇
回复 :苏利曼和“苏丹电影俱乐部”的另外三名成员决定重振一家旧电影院。他们不仅因为对电影的热爱和对恢复旧电影存量、再次关注苏丹电影历史的强烈渴望而团结在一起，而且因为他们都曾在流放中接受过电影教育。不知疲倦地，他们试图让影院老板站在他们一边，让这个地方重新运作起来，但他们一再发现自己遭到了相当大的阻力。同时，他们坐在一起谈论过去——包括他们作为对立艺术家遭受迫害甚至折磨的经历。他们还朗读流亡和梦想苏丹时写的旧信，在那里艺术和智力思想可以自由。“我们比他们聪明，但不如他们强大，”他们一致总结了他们的处境。正是在这些简洁的时刻，观众才能够感知到友谊，以及在为共同理想而斗争中存在的纽带和意识形态的团结。苏哈伊布·加斯梅尔巴里把苏丹电影的历史放在影片的中心，同时也揭示了一个受到持续危机影响的国家的现状Suliman and three further members of the ‘Sudanese Film Club’ have decided to revive an old cinema. They are united not only by their love of cinema and their passionate desire to restore old film stock and draw attention to Sudanese film history once more, but also by the fact that they have all enjoyed a film education in exile. Tirelessly, they try to get the cinema’s owners on their side and make the place operational again, but repeatedly find themselves up against considerable resistance. In the meantime, they sit together and talk about the past – including their experiences of persecution and even torture as oppositional artists. They also read out old letters written while in exile and dream of a Sudan in which art and intellectual thought can be free. ‘We are smarter than them, but not as strong,’ is how they unanimously summarise their situation. It is in laconic moments such as these that the viewer is able to perceive the friendship, as well as the bond and ideological solidarity that exists in the struggle for common ideals.Suhaib Gasmelbari puts the history of Sudanese cinema at the centre of his film and at the same time sheds light on the current situation in a country shaken by ongoing crises.
