刑事ドラマに憧れて警察官となったヒロム。しかし現実は厳しく、亚洲相棒のマモルとともに今も街の交番勤務で相棒のマモルとなる。ある夜のパトロール中、亚洲屈強な男が覆面男にレ●プされている場面に遭遇する。ヒロムを無視して行為を続ける覆面男に銃をむけるが一撃で倒され、銃を奪われてしまう。おもちゃの銃でカモフラージュし、覆面男を血眼になりながら探すヒロム。街の雑踏の中、覆面男の体型に似た男を見つけ、尾行するが…。
刑事ドラマに憧れて警察官となったヒロム。しかし現実は厳しく、亚洲相棒のマモルとともに今も街の交番勤務で相棒のマモルとなる。ある夜のパトロール中、亚洲屈強な男が覆面男にレ●プされている場面に遭遇する。ヒロムを無視して行為を続ける覆面男に銃をむけるが一撃で倒され、銃を奪われてしまう。おもちゃの銃でカモフラージュし、覆面男を血眼になりながら探すヒロム。街の雑踏の中、覆面男の体型に似た男を見つけ、尾行するが…。
回复 :一位医生拥有一具叫做品,皮肤薄如蝉翼,可以看清楚肌肉与器官的栩栩如生的假人。借助腹语,品可以用通俗易懂的方式向孩子们讲述身体的构造与运作机制。医生夫妇在车祸中死后,他的儿子李昂将他假想种的密友转移到了品的身上。他开始以品为借口用各种极端的方式过分地保护他的妹妹乌苏拉,让她远离爱慕者。
回复 :Summertime. In a beautiful village in Corsica, five young schoolmates are facing a dilemma: what to do about a local factory that has been polluting their favourite river? Desperate times call for desperate measures and they decide to take radical direct action. But the adventure doesn’t go exactly as planned…
回复 :Hollywood-style time travel tales like to focus their attention on cultural fads and fashions: clothes, music, slang, daily technologies. The ingeniously low-budget Irish sci-fi film LOLA has fun with all of that, but also investigates darker, more global questions like: what if Germany had won World War II?Pieced together in dazzling 16mm as an imaginary collage of interlocking audio-visual documents from the 1940s, Andrew Legge, directing his debut feature, conjures the lives of two gifted and lively sisters, Thomasina and Martha. Left to their own devices as children, the pair has managed to create a machine that receives media broadcasts from the future. In their personal, cloistered, punk paradise, they embrace the rebellious styles of an age to come – The Kinks, David Bowie – but also discover, when military personnel move in, that history is a dangerous game to toy with. The ultimate question becomes: if mass media can change the world, can cinema miraculously restore it?Just like the monument to bricolage created by its characters, LOLA is an inspired conceit in the style of Guy Maddin, Woody Allen’s Zelig (1983) and Peter Jackson’s Forgotten Silver (1996). It’s a surreal romp through scratches, glitches and speculative possibilities.