朱雅琼
发表于9分钟前
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:Set during the Blitz in 1940s London. After writing twelve Poirot novels in six years, Agatha Christie should be a rich woman. Instead she’s struggling to make ends meet. As the money runs out, Agatha concocts a plan to kill off her most famous creation and sell the manuscript to a superfan. When Agatha’s would-be-buyer suffers a heart attack, it seems unfortunate but benign. When her manuscript is stolen, a wider conspiracy begins to take shape. As the bombs fall and she investigates, the danger of her situation becomes apparent; Agatha herself is the killer’s next target.
林依晨
发表于9分钟前
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:以悟觉和尚为首的少林十八棍僧接到皇上的御诏,奉旨南下抗倭。江浙前线,棍僧救下一队百姓,倭寇首领的亲弟弟被棍僧所杀。棍僧带领难民前往飞鱼隘口,寻求驻守明军的帮助。谁知飞鱼隘口的明军早已逃离,棍僧们只好先在此歇脚。浑然不知倭寇派出主力部队攻打飞鱼隘口,土城中仅存的百姓都是老弱妇孺,棍僧们决定留在土城帮助村民抵抗倭寇。生死存亡之际,十八棍僧共同抵挡了倭寇的进攻。但因师弟的冲动,几位师兄弟被倭寇杀害。倭寇首领得知土城中有少林的和尚,派出了忍者部队进行偷袭,以便发动最后的决战,誓要攻下飞鱼隘口,杀掉和尚为弟弟报仇。棍僧们为了掩护百姓们撤离,摆出了棍阵,以肉身阻止了倭寇的疯狂进攻,成功让百姓脱离危难。
黄羽承
发表于8分钟前
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:Fernando Di Leo's "Milano Calibro 9" is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, "Milano Calibro 9" was followed by "La Mala Ordina" (aka. "Manhunt", also 1972) and the brilliant "Il Boss" (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned "Manhunt" is (allthough excellent) slightly inferior to this one and "Il Boss" which both stand out as absolute all-time highlights of crime cinema. "Milano Calibro 9" is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan..."Milano Calibro 9" is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like "Milano Calibro 9" are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.