剧情简介
美藉华人黄昆与美国黑人“老黑”，便当同为三藩市的警察。黄昆武功高，便当性格刚烈，故被称为黄面老虎。一天，老黑因开罪当地流氓，遇到暗伏，黄昆救友心切，将一名流氓置于死地，因而被上司纽曼撤职，并在狱中服刑一年。刑满后，黄昆与老黑时有往来。一夜，老黑追捕银行劫匪，在当地华侨朱氏后院被击毙。次晨，纽曼逮捕朱氏夫妇，并被探员迫其签认罪状。黄昆愤于知己被害，四处侦查，知纽曼私通匪党，乃将纽曼击毙...
便当盒里的小秘密
美藉华人黄昆与美国黑人“老黑”，便当同为三藩市的警察。黄昆武功高，便当性格刚烈，故被称为黄面老虎。一天，老黑因开罪当地流氓，遇到暗伏，黄昆救友心切，将一名流氓置于死地，因而被上司纽曼撤职，并在狱中服刑一年。刑满后，黄昆与老黑时有往来。一夜，老黑追捕银行劫匪，在当地华侨朱氏后院被击毙。次晨，纽曼逮捕朱氏夫妇，并被探员迫其签认罪状。黄昆愤于知己被害，四处侦查，知纽曼私通匪党，乃将纽曼击毙...
美眉
回复 :香港洪兴会乃势力庞大的组织，因香港向来不容许非法的组织，特别九七回归后，该会早已转为地下活动，表面是贸易公司作门面来照料旗下各分会的兄弟。会长老霍平时不管时，早退隐江湖，一切会务由二当家葛鸣掌管，老三浩男为人忠义，甚得众兄弟尊敬，而老葛事无大小均由他处理，老四火鸡好勇斗狠，而且有野心，有心染指全权主管会务，不甘作葛鸣和浩男之牛后也。机会终于来临，老葛得了绝症，已病入膏肓，虽病情暂得控制，但已神志模糊，他担心群龙无首，所以向火鸡透露，将来大权会交给浩男，希望火鸡能全力协助,火鸡假意答允，但内心却起了反叛之心。浩男知葛大哥病了，正由深圳赶返港探望，火鸡悉心布局先杀了葛鸣而把罪名嫁祸给浩男，众兄弟均信以为真，均不原谅他，要将之置于死地，浩男和亲近的兄弟杀出重围，暂别香江而到了深圳。老霍宣布由火鸡担任会务接替已逝的老葛，火鸡吩咐兄弟往深圳追杀浩男。
吉井和哉
回复 :A disgraced ex special forces agent turns to a demon that offers him a job as a soul hunter. Chaos ensues when a former associate goes on a killing spree with the soul hunter as his main target.
乔治迈克尔
回复 :Fernando Di Leo's "Milano Calibro 9" is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, "Milano Calibro 9" was followed by "La Mala Ordina" (aka. "Manhunt", also 1972) and the brilliant "Il Boss" (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned "Manhunt" is (allthough excellent) slightly inferior to this one and "Il Boss" which both stand out as absolute all-time highlights of crime cinema. "Milano Calibro 9" is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan..."Milano Calibro 9" is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like "Milano Calibro 9" are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
