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飞行员肖恩·哈格蒂（丹尼尔·雷德克利夫 饰）想结束帮助贩毒团伙运送毒品的工作，精品对此毒贩提出要求：精品他必须在美国和墨西哥边境之间运送可卡因，任务成功完成他才能全身而退。为了重获自由，他独自一人开着一架小型飞机执行此次任务，同时，他也承受着贩毒团伙、缉毒署和妻子带给他的压力，而等待他的将是意想不到的结局。
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飞行员肖恩·哈格蒂（丹尼尔·雷德克利夫 饰）想结束帮助贩毒团伙运送毒品的工作，精品对此毒贩提出要求：精品他必须在美国和墨西哥边境之间运送可卡因，任务成功完成他才能全身而退。为了重获自由，他独自一人开着一架小型飞机执行此次任务，同时，他也承受着贩毒团伙、缉毒署和妻子带给他的压力，而等待他的将是意想不到的结局。
松田树利亚
回复 :Since 1977, Sam Klemke has been recording himself on film, the #selfieavantlalettre. In that same year, NASA launched the Voyager with the Golden Record. Whereas NASA primarily sketches a positive picture of humanity, Klemke's honest self portraits zoom in on the individual. A special film about time, memory and what it means to be human.‘This year will be my year, it has to be!’ Since 1977, Sam Klemke - a pioneer status updater - has looked back on ‘his year’ using video. With the illusion of progress, he hopes to encourage ‘personal growth and improvement’.Documentary maker Matthew Bate met Klemke on Facebook and became acquainted with his video 35 Years Back Through Time, a super-cut in which Klemke counts backwards from 2011 to his ambitious teenage self. Intrigued by this obsessive film project, Bate used Klemke's personal archive to create a documentary collage that feels like an intimate road trip, with Klemke providing valuable lessons about time. Along the way, he dismantles the dream of success and happiness. Klemke's self-mockery and honesty give the whole thing a light, breezy feel.Through this, Bate interweaves NASA’s Golden Record Project which, just like Klemke’s video project, was launched in 1977. This juxtaposition creates a reflection in which Bate sketches the comprehension of time and self-documenting stories as an inherent human need.
李尤
回复 :乔·阿尔文、小莱斯利·奥多姆将加盟传记影片[哈丽特]，先前宣布加盟的卡司包括辛西娅·埃里沃、克拉克·彼得斯等。塞斯·曼恩(《国土安全》)执导。哈丽特·塔布曼生于1822年，原本是生活在马里兰州的黑奴，1849年她逃到北方，不久后加入到帮助奴隶逃亡的美国“地下铁路”中，成为最活跃的领袖之一，多次回到家乡带领其他奴隶逃往北方。南北战争爆发后，塔布曼积极参战，成为北军中为数不多的女性，战后她投身了争取妇女权益的运动。哈丽特也是首位登上美元的女性。影片将于下月在美国弗吉尼亚州开拍。
许冠文
回复 :45 year old Don Valter is a traditional priest who still wears an old fashioned black tunic out of nostalgia. One day young Claudio and his exuberant troupe of actors appear, proposing to perform an avant-garde show based on the Gospel's miracle of the rebirth of Lazarus*. The powerless priest is overwhelmed by this young upstart, who stirs within him emotions that will, whether he likes it or not, pull him into the modern era.
