剧情简介
美洲In a North Dublin housing estate Char's mother goes missing. When she returns Char is determined to uncover the truth of her disappearance and unearth the dark secrets of her family.
美洲色AV网站在线观看
美洲In a North Dublin housing estate Char's mother goes missing. When she returns Char is determined to uncover the truth of her disappearance and unearth the dark secrets of her family.
金培达
回复 :在一个名为瑞弗顿的小镇，曾出现过令人闻风丧胆的开膛手。他的真实身份是一个名叫亚伯尔·普林科夫（Raúl Esparza 饰）的普通男子，开膛手似乎是他一个隐藏的人格，又像是潜藏在他体内的罪恶的幽灵。某晚，亚伯尔失心发狂，杀害了待产的妻子。他则被赶来的警察射上，却在回警局的路上引发事故，从此下落不明。与此同时，小镇医院内降生了7名早产儿。16年过去，当年的7名婴儿成为了好朋友。他们将生日定为开膛手日，每年的这一天都举行奇怪的庆祝仪式，期望借此远离开膛手的梦魇。但是这一年，开膛手亚伯似乎真地回到了瑞弗顿，并将目标锁定在这7个孩子身上……
钟舒漫
回复 :本系列纪录片讲述了三组来自世界各地令人大开眼界的“特殊人物”。一对来自巴基斯坦的“太阳能男孩”——白天生龙活虎，太阳一落山就完全陷入瘫痪，全身动弹不得。一名被“偷走青春”的英国少女——明明只有20岁却长了一副60多岁的容颜。还有来自印尼的世界上最重的男孩——190多公斤的体重，几乎让他寸步难行。这些人都因为各种全球罕见的病症，被生活逼上了绝路。本片将通过对他们的跟踪采访，揭示这些特殊人物的日常生活，以及他们对抗自身命运的不懈斗争。
叶宇澄
回复 :The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.com
