剧情简介
《我的婆婆》宣布製作第2季！幻想收視破公視紀錄，續集原班人馬回歸……
幻想巨塔
《我的婆婆》宣布製作第2季！幻想收視破公視紀錄，續集原班人馬回歸……
黄玉荣
回复 :一位访客（特伦斯·斯坦普 Terence Stamp 饰）的到来彻底改变了一个家庭的生活，虽然这个访客没有身份，没有历史，甚至连名字都没有，但家庭中的每一个人都被他诱惑为他癫狂。妻子（肖瓦娜·曼加诺 Silvana Mangano 饰），丈夫（马西莫·吉洛提 Massimo Girotti 饰），女儿（安妮·维亚泽姆斯基 Anne Wiazemsky 饰），儿子（Andrés José Cruz Soublette 饰），女佣（劳拉·贝蒂 Laura Betti 饰），每一个人都臣服于访客所带来的灵魂与欲望的纠葛之中。访客离开后，丈夫放弃了经营多年的工厂，妻子开始于工人们寻欢作乐，女儿陷入了内心的顽疾之中，儿子开始探索艺术带来的奇迹与喜悦，女仆的身上则显露了神迹。一切都陷入了混乱，可是依旧没有人知道，这位神秘的访客到底是何方神圣……
三浦大知
回复 :何山（傳彪 饰）人到中年，目前是一家超市的经理，由于多年前丧妻，他视女儿乐乐（倪景阳 饰）为掌上明珠。年过而立仍未嫁人的慧聪（原华 饰）受公司委派来超市主管财务，为了却乐乐劝何山重组家庭的愿望，何山与慧聪草签一份《情人合同》。执行合同伊始，漏洞百出，但总算在亲友面前蒙混过关，由于两人性格南辕北辙，都想尽快从这个可笑的合同中解脱出来。何山整日怕女儿交上什么不良男友，可偏偏家里就出现了一位橫瞧竖看都别扭的男友，慧聪的母亲则为女儿引进了声势浩大的相亲团。为掩人耳目，他俩的合同不断的延期，由于二人心思脱离了工作，超市出现重大问题，两人只好摒弃前嫌，专心“救火”......
玻璃箱子
回复 :Last at the Festival with 2017’s rural noir Dark River, a selection in the Platform programme, writer-director Clio Barnard returns to the Bradford, West Yorkshire setting of her earlier films for this tumultuous, fiercely affecting midlife love story.A bundle of good humour and nervous energy, Ali (Adeel Akhtar) is a British Pakistani working-class landlord who forges close bonds with his tenants. One day, while picking up one of his tenants’ children from school, he offers a lift to Ava (Claire Rushbrook), an Irish-born teacher and single mother of five. They bond almost instantly through their love of music, though Ali favours the high energy of Buzzcocks and hip-hop while Ava takes refuge in the quieter comforts of Bob Dylan and Karen Dalton. Despite their divergent backgrounds, differences in their stages of life, and the colour of their skin, despite the fact of Ali’s failing marriage and Ava’s fraught relationship with her adult and adolescent children, each finds themself irresistibly drawn to the other. But can their mutual desire transcend a barrage of personal obstacles?Inspired by people Barnard encountered while making her acclaimed features The Arbor and The Selfish Giant, Ali & Ava is a film that feels profoundly rooted in lived experience, blending a tender emotional complexity with an at times bracing depiction of trauma and grief. Akhtar and Rushbrook’s finely hued performances speak to the setting’s cultural diversity and tribal loyalties while yielding a vulnerability that’s alternately heart-wrenching and joyous. Their story serves as a reminder that it is sometimes the least likely connections that are the ones most worth pursuing.
