故事描述民国初年,小女北方军阀混战,小女民不聊生,纷纷向南逃 难。王绪(郭追 饰)、金正平(罗莽 饰)和鱼汉生(江生 饰)三位武功高强的青年,也夹在难民群中,来到战区边沿的某镇。该镇富家子弟陈祖光(鹿峰 饰),为地方民团首领;一次,王因出手营救一女难民,致遭陈之手下追捕,幸得美艳的风尘女子红菱(楚湘云 饰)所救……
故事描述民国初年,小女北方军阀混战,小女民不聊生,纷纷向南逃 难。王绪(郭追 饰)、金正平(罗莽 饰)和鱼汉生(江生 饰)三位武功高强的青年,也夹在难民群中,来到战区边沿的某镇。该镇富家子弟陈祖光(鹿峰 饰),为地方民团首领;一次,王因出手营救一女难民,致遭陈之手下追捕,幸得美艳的风尘女子红菱(楚湘云 饰)所救……
回复 :安吉丽娜·朱莉通过Netflix宣布,她将执导该公司出品的全新电影作品《First They Killed My Father》。影片聚焦红色高棉政权时期的柬埔寨,其养子马多克斯将出演。影片改编自柬埔寨裔美国女性作家Loung Ung的回忆录《First They Killed My Father: A Daugher of Cambodia Remembers》,讲述了她在柬埔寨红色高棉统治时期的悲惨求生经历。Loung Ung出生于1970年的柬埔寨,5年后,红色高棉(即柬埔寨民主党)成为执政党,建立民主柬埔寨政权,并于随后在柬埔寨展开了近四年的管制时期。在此期间,约有两百万柬埔寨人因为政治迫害、饥荒、劳役、疾病等原因非正常死亡。在这场劫难中Loung Ung的家庭破碎,成为孤儿的她被训练为童子军,而她的兄弟姐妹则被送去劳改营。
回复 :转自:http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
回复 :英国驻肯尼亚大使馆的外交官贾斯汀(拉尔夫·费因斯 Ralph Fiennes 饰)为人随和、生活平淡,平日只爱在自己的园子里打理花草树木。然而,有一天,厄运降临到这名超然物外的男人身上。他的妻子泰莎(蕾切尔·薇兹 Rachel Weisz 饰)――一名主持正义的律师,被发 现陈尸郊外,调查结果为被其情人杀害。贾斯汀遭此晴天霹雳,愤怒过后的他仔细考虑,觉得官方的说法漏洞百出,于是这名平和温柔的男人誓要找出妻子身亡的真相。泰勒经过重重困难取证,终于逐渐接近事件的真相,原来泰莎发现了这里一间有着深厚政治背景的英国药厂在这里利用爱滋病人试验他们的新药,并导致了数以百计的艾滋病患者惨死!