剧情简介
欧美In our increasingly virtual world, who are the real gatekeepers of all our data? Enter this digital space of the Homo Numericus Age to learn more.
欧美第二页
欧美In our increasingly virtual world, who are the real gatekeepers of all our data? Enter this digital space of the Homo Numericus Age to learn more.
艺鹭
回复 :坐监多年的扬•迪特（奥德里奇•凯瑟饰）大赦获释，他被“放逐”到捷克北部边境森林里修一条看上去永远修不完的道路。回想年轻时候，迪特感慨万千，那时的自己（伊万•巴尼弗饰）只是个年轻的饭店服务生，却立志要成为百万富豪。小个子的他精通服务之道，同时不忘追逐金钱和女人。他先后到过生活奢靡的天堂艳楼，布拉格最气派豪华的巴黎饭店。在那里，饭店领班告诉迪特，他之所以精通各项待客之道，是因为曾侍候过英国国王。第二次世界大战前后的捷克情势变化莫测，迪特遇见了同是小个子的德国姑娘丽莎（朱丽娅•耶特斯饰）并遇到许多困难，但他依然坚定不移地朝着立下的目标努力……
朴贤基
回复 :To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)
徐婕儿
回复 :Following the death of their friend, two girls in their late twenties embark on a road trip to spread his ashes. Seph and Alex take turns driving. Dan is in the glove compartment, in tupperware, decreasing in volume as the trip progresses.
