剧情简介
夏日的法国乡间，帕瓦Jack和Veronique一同结伴旅行。他们搭上了一辆便车，帕瓦但随后发生的事让他们发现自己被卷入了一场事关生死的猫鼠游戏之中。一对神秘夫妻，一个公路杀手，Jack和Veronique将如何突出重围？
帕瓦罗蒂
夏日的法国乡间，帕瓦Jack和Veronique一同结伴旅行。他们搭上了一辆便车，帕瓦但随后发生的事让他们发现自己被卷入了一场事关生死的猫鼠游戏之中。一对神秘夫妻，一个公路杀手，Jack和Veronique将如何突出重围？
柳时元
回复 :If These Walls Could Sing arrives with the 90th anniversary of famed London recording studio.Universal Music Group’s recently-launched production house Mercury Studios has announced a documentary about Abbey Road Studios. If These Walls Could Sing will explore the legendary recording studio’s history in conjunction with Abbey Road’s 90th anniversary this November. The film is produced by John Battsek and directed by filmmaker and photographer Mary McCartney, daughter of Paul and Linda.“Some of my earliest memories as a young child come from time spent at Abbey Road,” Mary McCartney said in a statement. “I’ve long wanted to tell the story of this historic place, and I couldn’t be collaborating with a better team than John and Mercury Studios to make this creative ambition a reality.”
陈丽斯
回复 :Surf Girls Hawaii follows the next generation of Native Hawaiian female surfers, as they compete at an elite level to earn a coveted spot on the World Tour of professional Surfing. This 4-part docuseries offers behind the scenes access to five of the sport’s most exciting young stars – Moana Jones Wong, Ewe Wong, Maluhia Kinimaka, Pua DeSoto, and Brianna Cope – as they train, navigate family responsibilities, and compete against the highest-ranking surfers in the world to get to the top of the podium.
伊莲佩吉
回复 :Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.
