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讲述一位意大利书店商人（男）和一位性格疯癫的戏剧演员（女）陷入爱情的过程。书店商独自在顶楼抚养双腿残疾从不出门的女儿，久久精品件某天喜剧演员忽然冲进书店寻找她丢失的狗，久久精品件两人因此相识，彼此进行精神抚慰。
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讲述一位意大利书店商人（男）和一位性格疯癫的戏剧演员（女）陷入爱情的过程。书店商独自在顶楼抚养双腿残疾从不出门的女儿，久久精品件某天喜剧演员忽然冲进书店寻找她丢失的狗，久久精品件两人因此相识，彼此进行精神抚慰。
丹堤汤玛斯
回复 :屡次被驱逐出境的歌舞女郎琼斯又偷渡返回美国，她唯一的希望就是找个当地男人嫁掉然后可以留下，然而她的男朋友已经娶了新媳妇，倒霉透顶的琼斯于是找到老实的小说家比尔，打算和他协商结婚，然而比尔并不蠢，他有更多的想法，想得到更多
方梓媛
回复 :托马斯（迪伦·欧布莱恩 Dylan O'Brien 饰）、米诺（李基弘 Ki Hong Lee 饰）一行人被带到一座神秘的庇护所，这个机构由表里不一的詹森（艾丹·吉伦 Aidan Gillen 饰）所管理，詹森为他们提供安稳且舒适的环境，并下令让幽地斗士们在医疗实验室中接受一连串的测试，詹森向托马斯保证将会把他们送到更加安全的保护区与其他对“闪焰症病毒”免疫的年轻人一同居住。察觉事有蹊跷的托马斯决定再次带领他的伙伴们逃出詹森的掌控，然而等待他们的，却是比迷宫更加危险的焦土。影片改编自詹姆斯·达什纳撰写的同名反乌托邦科幻小说三部曲的第二部。
杜德伟
回复 :Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
