剧情简介
邪恶的吸血伯爵为了复活自己的爱人，黑名不惜让无辜的村民们牺牲。故事中导演借用村民的台词歌颂耶稣的力量，黑名算是这一系列题材的“标准结局”了。虽然故事本身有点老套，但导演让这个故事变得更加好看和个性，是一部优秀的菲律宾电影。
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邪恶的吸血伯爵为了复活自己的爱人，黑名不惜让无辜的村民们牺牲。故事中导演借用村民的台词歌颂耶稣的力量，黑名算是这一系列题材的“标准结局”了。虽然故事本身有点老套，但导演让这个故事变得更加好看和个性，是一部优秀的菲律宾电影。
韦绮珊
回复 :The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.com
常安
回复 :우리 몸에 버튼이 있어. 그 버튼을 누르면 안 좋은 기억들이 싹 지워져.나쁜 거 쪽팔린 거 안좋은 거 전부 다…근데 자기는 모르고 다른 사람한테만 보여. 진심이 있는 사람에게만.정남은 명품 대신 짝퉁을 배달한다. 진이는 꽃 대신 몸을 판다.세탁소 앞 골목길, 진이가 숫자를 세며 누군가를 기다린다. 하지만 아무도 오지 않는다. 그런 진이를 정남은 계속 지켜본다. “지금 몇 시예요?” 몇 번 말을 걸어보지만 진이는 매번 처음인 듯 냉랭하기만 하다. 사창가 뒷골목에서 포주인 용수에게 맞고 있는 진이를 정남이가 구해주었을 때도 이들은 처음 만난 듯 어색하다. 그러던 어느 날, 건달 손님에게 두들겨 맞고 쓰레기 더미에 쓰러져 있는 정남을 진이가 발견하고 자기 집으로 데려간다. 거리를 배회하며 엇갈리기만 했던 두 사람은 함께 지내고 여행을 떠나는 등 가까워진다. 사랑을 위해 새로운 삶을 꿈꾸는 두 사람, 이들의 사랑은 이루어 질 수 있을까?
陶晶莹
回复 :令人震惊的悲剧使南卡罗来纳州一个关系紧密的社区四分五裂，其中最有权势的家族也随之暴露了自己的可怕秘密。
