三轮车夫刘阿福十年前抱养了一个女婴取名叫小花,线观自从三年前老伴去世后,线观他就跟养女小花相依为命,直到有一天阿福在工作中晕倒后送到医院,被告知自己得了重病,面对这昂贵的医疗费,刘阿福决定放弃治疗,想到自己时日无多,小花又年幼无人照顾,最好的办法就是送她到亲生父母身边,于是刘阿福找出当年抱养小花时留下的线索,打听到小花亲生父母的老家,就骗小花说带她去旅行,骑着三轮车带着小花开始了一段艰难又催泪的寻亲之旅。
三轮车夫刘阿福十年前抱养了一个女婴取名叫小花,线观自从三年前老伴去世后,线观他就跟养女小花相依为命,直到有一天阿福在工作中晕倒后送到医院,被告知自己得了重病,面对这昂贵的医疗费,刘阿福决定放弃治疗,想到自己时日无多,小花又年幼无人照顾,最好的办法就是送她到亲生父母身边,于是刘阿福找出当年抱养小花时留下的线索,打听到小花亲生父母的老家,就骗小花说带她去旅行,骑着三轮车带着小花开始了一段艰难又催泪的寻亲之旅。
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回复 :This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity.I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few).Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).
回复 :“谢广坤”摇身一变成辽西镇穷困刁民杨二正,他是全村公认的“烂泥”,早年丧妻后独自抚养女儿长大,好吃懒做喜欢在村里搅和是非,仗着亲哥是村长到处蹭吃蹭喝,对待同乡阴阳怪气,因此而引发了一系列啼笑皆非的故事。