剧情简介
午夜
92午夜福利视频深夜
午夜
慕容晓晓
回复 :元禄14年3月14日，赤穗藩藩主浅野内匠头（橋爪淳 饰）受到吉良上野介（西村晃 饰）误导，致令在众城主面前出丑。事后他恼羞成怒，刀伤吉良。然而此举发生在将军所在的内庭，属大逆不道之罪，浅野最终被判切腹谢罪，吉良则逍遥法外。噩耗传至赤穗，举城上下一片震惊。赤穗笔头家老大石内藏助（高倉健 饰）老成持重，他不愿主公背负罪名不得翻身，于是集结一众忠诚志士，忍辱负重，只为等待手刃吉良的复仇之日……本片根据日本元禄忠臣藏的故事改编，并荣获1995年亚太电影节最佳音乐奖；1995年日本电影金像奖最佳艺术指导、最佳剪辑、最佳音效和最佳男配角奖（中井貴一）；1995年电影旬报最佳男配角奖；1995年每日电影读者选择奖最佳影片；1994年东京国际电影节评委会特别奖。
林威辰
回复 :二对母女，罗拉（拉娜·特纳饰）与女儿苏西（胡安妮塔·摩儿饰）之间因母亲专注于事业，而与女儿缺乏沟通，导致两母女同时爱一个男人的悲剧；她们在海边遇到的另一对黑人母女，黑人母亲安妮（丹·奥赫里奇饰），因为混血女儿始终不肯承认自己是黑人的事实，而悲伤矛盾，但是安妮这个善良的女人始终等待其女儿的回头，只是子欲养而亲不待。本片讲述两个具有现代意识的悲剧。本片是一部社会性的写实片，突出了黑人与白人之间的种族歧视与子女教育问题，可以说是一部套路偏中国文戏的文艺片。尽管有煽情的成分，但比一般的家庭片更深刻。1934年曾拍过一次。
安在懋
回复 :What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.
