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关德辉
回复 :该剧是迪士尼频道2010年开播的家庭题材情景喜剧。故事围绕六口之家Duncan一家展开。原本已经有三个孩子的Duncan夫妇又生下第四个孩子，可爱的女孩Charlotte，大家都叫她Charlie。姐姐Teddy拿起DV摄像机，记录下Charlie成长中所经历的以及这个家中所发生的一切有趣、有意义的事情，以便在Charlie长大后让她看到她的成长之路，并给予她一些生活的建议。这是迪士尼频道近年来少有的一部以家庭为中心的情景喜剧。
罗钢
回复 :彩媛（秀爱 饰）和在硕（赵汉善 饰）是从小玩到大的青梅竹马，两人之间结下了深厚的友谊。但实际上，在硕对于彩媛的感情早已经从友情转变成为了爱情。一天，一个名为正友（李廷镇 饰）的男孩转学来到了彩媛所在的班级，随着时间的推移，彩媛和正友之间渐渐碰撞出了爱情的火花，为了自己心爱的女孩子能够幸福，在硕选择了默默退出。正友要搬家了，他拿走了恋恋不舍的彩媛的发夹，约定再见面的那一天将它还给她，哪知道这一分别就是永别。虽然正友曾经给彩媛写过信，但这封信被在硕的妹妹给偷偷拿走藏了起来。慢慢的，绝望的彩媛不再期盼正友的回归，在硕趁虚而入和她走到了一起。
韩庚
回复 :The main story is set in a British Military Intelligence Office in Whitehall during 1956, where a small group of foreign affairs analysts find their quiet existence disrupted by the Suez Crisis. Ewan McGregor plays Mick Hopper, who is doing his national service as an interpreter of Russian documents. Bored with his job, Hopper spends his days creating fantasy daydreams that involve his work colleagues breaking into contemporary hit songs. Louise Germaine plays Sylvia Berry, the blonde wife of the violent Corporal Pete Berry (Douglas Henshall). Sylvia is an object of desire for Mick's fellow clerk Private Francis Francis and a middle-aged pipe-organist named Harold Atterbow (Roy Hudd). Unlike the street-wise Hopper, Francis is a clumsy Welsh intellectual whose academic career has been interrupted by his army call up. The appearance of the bookish niece of a seconded American officer enables the two conscripts to pair off with suitable partners, after initial mismatching. Some of the side themes include the influence of American rock and roll on English society, the gulf between the senior analysts, who are regular army officers, and the conscripted other ranks, the work of Russian playwright Chekhov, and the appreciation of opulent theatre pipe organs. The unusual context — a military culture transplanted into a civil service style office environment — reflects Potter's own national service during the 1950s. While this piece has the form of a romantic comedy, unlike the less conventional works of Dennis Potter's middle period, it is not without graphic sex and violence, as well as Potter's characteristic flashes of dreamlike imagery. The centrepiece of this production is the surreal musical sequence set to the song In a Persian Market.
