斯科特（保罗·莫库利奥 Paul Mercurio 饰）出生于舞蹈世家，等待在父母的耳濡目染之下，等待年轻帅气的他对舞蹈充满了兴趣。充满创意的斯科特喜欢在传统的舞蹈中加入他自创的新鲜舞步，但很显然，刻板的评委并不喜欢斯科特的创新。一个名叫芙兰（塔拉·莫里斯 Tara Morice 饰）的女孩找到了斯科特，希望能够与他搭档，斯科特意外的发现，他和芙兰之间的节奏异常合拍，在亲密无间的合作下，真挚的情感在两个年轻人之间产生了。斯科特的母亲雪莉（Pat Thomson 饰）对于其貌不扬的芙兰并不满意，她找到了美艳奔放的缇娜（Sonia Kruger 饰），希望她能够成为斯科特的新舞伴，斯科特当然拒绝，可为了实现自己的目的，雪莉竟然不惜使用谎言逼迫斯科特就范。在痛苦之中，斯科特放弃了芙兰。
杨浩龙
回复 :范高尚（梁小龙 饰）是一名古董商，企图得到价值连城的阿閦佛佛头，古三（来喜 饰）是范高尚的手下，参与了盗取佛头的行动。古三的奶奶身患重病需要巨额医药费，于是，古三私自将佛头卖给了孙明贤（元华 饰），卷款逃跑，范高尚因此十分愤怒。之后，古三结识了名为莲儿（鲁缘缘 饰）的女子，两人志趣相投，惺惺相惜，而莲儿失散多年的父亲在国外意外的发现了佛头，将其买下，带回济南。佛头重现江湖令范高尚蠢蠢欲动，他掳走了古三的奶奶，命古三以佛头来交换。改过自新的古三决心不再助纣为虐，他同警方合作，最终将贪婪的范高尚绳之于法。
陈文媛
回复 :《罪孽的代价》讲述中世纪的英国，有一个名叫尼古拉斯的牧师与一位女教徒相恋，触犯了教规，他为了逃避教会的惩罚被迫藏身在一个流浪剧团之中。不日，剧团来到一个小镇，镇上的一个女人因为实施巫术而被控犯了谋杀罪，小镇的法官已经判处她死刑。
白建良
回复 :Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.
