剧情简介
哭泣An astronaut and his android double travel back to the time of King Arthur.
哭泣的拳头
哭泣An astronaut and his android double travel back to the time of King Arthur.
叶丽仪
回复 :影片讲述了王稳重（王太利 饰）和叶明珠（柳岩 饰）带着弟弟（王珞嘉 饰）在孟巴做导游，三人组建的旅行社名为三顺SSS，意为顺风顺水顺心，但命运和他们开了个大玩笑，“三顺SSS”变爆笑“三傻”，阴差阳错被前来参加医疗峰会的陈教授（何绍宏 饰）当成了国际保镖。为了巨额报酬， 三人选择将计就计假戏真做，冒充国际保镖保护教授。在护送途中，三人不断与暗杀教授的杀手（斯力更 饰）斗智斗勇，但对手的强大已经远远超过了他们的想象，面对巨额佣金与未知危机，冒牌保镖小队该何去何从？
陈好
回复 :转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
苏遇
回复 :杰西卡·霍兰德（蒂尔达·斯文顿 Tilda Swinton 饰）是旅居哥伦比亚的欧洲人，她来到波哥大看望她生病的姐姐（艾格尼丝·布雷克 Agnes Brekke 饰）。因为总是听到奇怪的巨响，于是她试图去找寻幻听的根源，并由此开始了一场由幻想、偶遇与重逢组成的，与记忆和历史产生回响的旅程。
