剧情简介
影片讲述音乐老师江波一腔热诚帮助很有歌唱天赋的百灵和她濒临崩溃的家庭。他用实际行动影响着自己的学生同事，淫荡还有社会上那些有爱心的人士，淫荡一起加入到扶贫帮困打拐这个队伍中来，最终他帮助百灵找到了弟弟百川，帮助百灵的妈妈治愈了因为丈夫车祸和孩子丢失导致的神经病，还帮助其它饱受痛苦的家庭找到了失散多年的孩子。他挥舞着正义的大棒指挥别人，鞭策着自己。让痛苦离去，让快乐进来!
淫荡
影片讲述音乐老师江波一腔热诚帮助很有歌唱天赋的百灵和她濒临崩溃的家庭。他用实际行动影响着自己的学生同事，淫荡还有社会上那些有爱心的人士，淫荡一起加入到扶贫帮困打拐这个队伍中来，最终他帮助百灵找到了弟弟百川，帮助百灵的妈妈治愈了因为丈夫车祸和孩子丢失导致的神经病，还帮助其它饱受痛苦的家庭找到了失散多年的孩子。他挥舞着正义的大棒指挥别人，鞭策着自己。让痛苦离去，让快乐进来!
黄渤
回复 :Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
松山千春
回复 :影片再现了1961年4月12日苏联宇航员加加林完成人类第一次太空飞行的全过程。剧本参考了最近解密的苏联航天档案。影片片长108分钟，也是加加林这一次飞行的时间。
臧天朔
回复 :1973年，七月十日的布拉格，剛滿22歲的歐嘉開著一輛失速的卡車衝上人行道，造成八人死亡。歐嘉對警察說，她是故意的！幾天後，地方的報社收到了歐嘉在案發前寄出的自白書，字裡行間不只是她的冷漠與殘酷，更透露出了一個被世人所拒絕的破碎靈魂：中產階級的家庭中她有衣食，卻沒有雙親的關愛，精神狀態與孤獨令她在工作與生活上屢屢碰壁，渴望愛情的她，幾次親密接觸卻無法填補她內心的巨大空虛。她以銳利的目光直視著這個她所不愛的世界，求救的信號來不及抵達，瀕臨極限的歐嘉於是踩下油門。她的衝撞與報復，也將她和人們都推上了無法回頭的道路…
