《聊斋变异》的男主角蒲松龄,手心是一名社会新闻记者。他在采访过程中经常遇到一些匪夷所思的奇闻,手心因为无法把这些奇闻发表在报纸上,他就自己开了一个个人网站,起名“聊斋”。没想到网站大受欢迎,网友们纷纷对他倾诉自己遇到的怪事,蒲松龄亲自采访这些网友,写下了许多离奇曲折的故事……
《聊斋变异》的男主角蒲松龄,手心是一名社会新闻记者。他在采访过程中经常遇到一些匪夷所思的奇闻,手心因为无法把这些奇闻发表在报纸上,他就自己开了一个个人网站,起名“聊斋”。没想到网站大受欢迎,网友们纷纷对他倾诉自己遇到的怪事,蒲松龄亲自采访这些网友,写下了许多离奇曲折的故事……
回复 :阿昆(刘德华饰)长年垄断了海洛因市场,虽视追随8年多的阿力(吴彦祖饰)为接班人,但阿昆一向小心行事,从没透露过“货仓“、加工场的位置也未见过其他“同事”。阿昆打算把自己的生意全权交由阿力打理,阿力渐渐知道了更多毒品市场中的秘密。8年来阿力以卧底的身份搜集毒贩的全部资料,但他对吸毒者阿芬(张静初饰)投入了感情,阿芬的景况却令他对自己边缘人的身份感到更加迷惘。斗志斗勇的过程中,阿力最终取得了阿昆的完全信任,8年来的追踪,也有了终结。
回复 :Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH).As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome.For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!)Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from.As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
回复 :利兹(莉莉·科林斯 Lily Collins 饰)是一名单亲妈妈,和年幼的女儿过着相依为命的生活,日子并不容易。一次偶然中,利兹邂逅了名为泰德(扎克·埃夫隆 Zac Efron 饰)的男子,泰德自称是法律系的学生,并且对利兹表现出了浓厚的兴趣。随着时间的推移,利兹和泰德渐渐的走到了一起,泰德的温柔和体恤让利兹重新燃起了对未来生活的希望。然而,渐渐的,利兹在泰德的身上发现了他不为人知的一面。凡是泰德经过的州省,屡屡传来少女失踪案和谋杀案,虽然泰德坚称这一切和他没有任何的关系,但他还是成为了FBI的头号通缉犯。在法庭上,泰德据理力争为自己辩护,他的言之凿凿让利兹陷入了混乱之中。