女性陈员外有二子, 长子镛生性至孝, 勤奋好学, 但常遭继母欺凌。次子威, 不务正业, 为生母陈夫人所宠爱。陈夫人因威有意中人,而强迫镛与张家女儿玉卿结婚。镛与玉卿皆反对盲婚哑嫁, 苦于父母之命, 惟从之。查实镛与玉卿曾有一面之缘, 并互相留下良好印象。新婚夜, 威得见嫂子竟是意中人, 妒火中烧, 欲加害镛, 幸为义哥所制止。镛得知新婚妻子是玉卿, 欣喜万分, 赠玉卿珠链作订情信物, 事为义所见, 义为人义薄云天, 但嗜赌, 义潜入玉卿房偷取珠链作赌本, 离去时留下鞋子。威拾获鞋子诬告玉卿失贞节, 陈夫人将玉卿赶走。玉卿遭乡民掷石攻击, 卿父制止时遭击毙。玉卿投河自尽, 遭义救回。镛于玉卿被赶后, 离家赴京应试, 终衣锦荣归。替玉卿平反。时玉卿己为镛诞下一子。陈夫人与威自知不是, 向玉卿求恕。玉卿得重入陈家, 一家团圆。
孙益程
回复 :A woman who is kidnapped and forced to compete in elite underground fights and has to battle her way out to freedom.
林志斌
回复 :When the film begins, it is all over. “We know it’s terminal, and that’s all”, says Juliane of her mother Kerstin, who is in great pain and about to die aged just 64. Although the young doctor she consults acknowledges on a personal level that everyone has the right to manage their own death, he nonetheless reminds her that euthanasia is still illegal in Germany. This is even more the case at the Catholic hospice where Kerstin is staying. As relatives come to say goodbye to her mother and the emotions of memories mingle with the anticipation of grief, Juliane finds herself having to do battle with time – unbending, apathetic and monochrome – and this is superbly reflected in the convulsions of the handheld camera in wide shots.Based on personal experience, Jessica Krummacher’s second feature film vividly relates the painful story of losing a parent. There is no violence or morbidity, rather the director describes the most important of events via the smallest, most fragile of details – the exchanging of words, texts and tender gestures that remain with us and get under our skin.
具正贤
回复 :一次偶然中，弗朗西斯科（阿图罗·德·科尔多瓦 Arturo de Córdova 饰）邂逅了名为格劳莉亚（戴丽亚·加尔塞斯 Delia Garcés 饰）的女子，两人一见钟情。尽管格劳莉亚已经是劳尔（路易斯·贝里斯坦 Luis Beristáin 饰）的未婚妻了，但最终格劳莉亚还是选择了和弗朗西斯科走到了一起。两人踏上了充满了爱意的蜜月旅程，然而，这段旅程带给他们的却只有无尽的争吵和痛苦。弗朗西斯科有着远远异于常人的控制欲和嫉妒心，这带给格劳莉亚十分巨大的压力。蜜月结束之后，两人回到了西班牙，他们之间的关系因为弗朗西斯科的神经质而进一步恶化，格劳莉亚过着几乎被囚禁的生活。
