橄榄球对于迦南镇的居民们来说实在是太重要了，西条身为他们挚爱的高中小狼队的教练，西条吉尔默（强·沃特 Jon Voight 饰）拥有着至高无上的发言权，因为在他的带领和执教下，小狼队曾经两次在州里夺得了金杯。马克思（詹姆斯·范德比克 James Van Der Beek 饰）和兰斯（保罗·沃克 Paul Walker 饰）是无话不谈的好友，与此同时，兰斯亦是小狼队中的强力前锋。然而，在一场十分重要的比赛来临之际，兰斯却因受伤而退出了球队，取而代之的，竟然是半吊子的马克斯。让大家都没有想到的是，马克思竟然干得不错，一下子，他从默默无闻的小卒成为了小镇英雄。可是，胜利带来了荣耀，却也带来了麻烦。
慕容晓晓
回复 :在八路军与日军的一场战斗中，刘班长和几个战士与大部队走散，被一队日军追杀，弹尽粮绝之时，幸得神秘大侠秦大川（方帅饰）相救。刘班长带着三个八路军战士躲进太平村，日军紧接着占领了太平村。日军军官木村正雄找来村长问出了秦大川的下落，派出武士趁夜捉拿秦大川，秦不慎受伤招架不住，忽然出现一女侠客姚梦雪（侍宣如饰）将他救下并把他带到一山洞里。通过交谈，二人都是为了亲人报仇才来到这个村子的。英雄相惜，秦建议二人以后共同杀敌，姚梦雪却独自走了……
邓寄尘
回复 :导 演:司小冬、王兵编 剧:朱炳火主 演:周磊、王雪菁、岳跃利、李万年片 种:故事片类 型:剧情出品单位:北京履实文化发展有限公司、东阳履实合润影视有限公司长 度:90分钟出品年代:2009剧情简介爱好美术的宋艺为了寻找灵感回乡采风，偶遇乡农科员吴小梅。小梅与朱永烈为家乡的无私付出感动了他，宋艺决定用自己的方式改变农户们的旧观念。他向父亲宋庆来借钱承包土地种植新品杨梅，遭到父亲的拒绝，也因此与父亲发生矛盾。其实，投资家乡是宋庆来多年的心愿，宋艺的努力与付出让宋庆来感到欣慰。但开发农业产业的计划却遭到公司股东们的反对。这时，政府提出的“工业反哺农业”的方针政策坚定了他投资家乡的信念。最终他说服了股东们出资建立了杨梅深加工厂，并将杨梅产业的发展结合现代的企业化管理和销售模式，使杨梅产品打入国际市场，从而完成了自己多年的夙愿。而此时，宋艺也找到土地和画的灵魂了，这灵魂就是对这片土地念念不忘付出心血的人们……
闵宽弘
回复 :The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements: water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive: Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.
